A work in constant progress (and occasional regress).
Alias:
Ya-li Huang
黄亚历
Birthplace:
Isola di Formosa, Taiwan
HUANG Ya-li is an independent filmmaker in Taiwan, who is interested in the linkage and extension between images and sounds. In recent years, he has been involved in documentaries concerning Taiwan during the Japanese colonial period, hoping to explore the possibility of interpreting reality in the form of documentaries through historical research and examination, and to reflect on the relationship between Taiwan, Asia, and the world. His experimental works include In Light (2003), The Pursuit of What Was (2008), and The Unnamed (2010). Le Moulin (2015) is his first feature documentary.
Cinematography:
2009 The Pursuit of What Was
2010 The Unnamed
Director:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Editor:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Producer:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Production Design:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Screenplay:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Sound Editor:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Writer:
2003 In Light
2009 The Pursuit of What Was
2010 The Unnamed
2012 The Return
2012 The Unnamed II
2017 Le Moulin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.