A work in constant progress (and occasional regress).
Tom Wood is an English visual effects supervisor. Wood worked at Cinesite in London, where he worked on various feature films, including Event Horizon (1997) and Lost in Space (1998). He then worked at MPC on films including Harry Potter and the Chamber of Secrets (2002), Kingdom of Heaven (2005) and Sunshine (2007). He worked independently on Prince of Persia: The Sands of Time (2010). Wood moved to Australia in 2012 to head up the VFX work on Mad Max: Fury Road with Iloura. He is nominated at the 88th Academy Awards for this work in the category of Best Visual Effects. His nomination is shared with Andy Williams, Dan Oliver, and Andrew Jackson. Description above from the Wikipedia article Tom Wood (visual effects), licensed under CC-BY-SA, full list of contributors on Wikipedia.
VFX Supervisor:
2016 Allegiant
Visual Effects Supervisor:
2001 Lara Croft: Tomb Raider
2001 Mike Bassett: England Manager
2002 Doctor Sleep
2002 Harry Potter and the Chamber of Secrets
2003 Sylvia
2005 Kingdom of Heaven
2007 Sunshine
2010 Prince of Persia: The Sands of Time
2012 Mirror Mirror
2013 Byzantium
2015 Mad Max: Fury Road
2015 The Last Witch Hunter
2016 Allegiant
2018 A Wrinkle in Time
2019 Spider-Man: Far From Home
2022 Elvis
2023 Anyone But You
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.