A work in constant progress (and occasional regress).
Shlomo Godder is an award winning narrative, documentary and commercial cinematographer who grew up in New York City and graduated from the film program at NYU's Tisch School of the Arts. Since then, he has been Director of Photography on films in Honduras, Ethiopia, France, Cuba, Trinidad & Tobago and the US. He received the award for Best Cinematography from the Tribeca Film Festival and Tulsa American Film Festival.
Cinematography:
2012 One Night
Director of Photography:
2012 One Night
2013 Black Girl in Paris
2015 Latchkey Kids
2015 Rubble Kings
2016 Eugenia and John
2016 Feels Good
2017 Moko Jumbie
2017 Olancho
2018 Sugar Town
2019 Brooklyn Love Stories
Director of Photography:
2019 Hell in the Heartland: What Happened to Ashley and Lauria
2021 Jerusalem: City of Faith and Fury
2022 The BMF Documentary: Blowing Money Fast
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.