A work in constant progress (and occasional regress).
Alias:
محمد بن عطية
Birthplace:
Tunis, Tunisia
Born:
January 5, 1976
Mohamed Ben Attia (born January 5, 1976; Tunis) is a Tunisian director and screenwriter. After various jobs in audiovisual post-production, he was finally hired for twelve years in a commercial position and prospecting at a car dealership in Tunis. Trained at the writing workshop Sud Écriture in Tunis, he began writing and directing several short fiction films, starting with Romantisme : deux comprimés matin et soir in 2005. His second short film : Comme les autres (Kif Lokhrim) was produced in 2006. After Mouja, unveiled at the Carthage Film Festival 2010 and selected at CinemAfrica 2011 in Stockholm, he directed Loi 76 (2011), his fourth short film, then Selma (2013). He moved to feature film in 2016 with Hedi, a wind of freedom produced by Dora Bouchoucha (Nomadis Images) and co-produced by the Dardenne brothers (Les Films du Fleuve), convinced by his latest short film and script. In 2018, he participated in the Cannes Film Festival where his film Dear Son is screened at the Directors' Fortnight.
Director:
2004 Romantisme
2006 Like the Others
2010 Wave
2011 Loi 76
2014 Salma
2016 Hedi
2018 Dear Son
2024 Behind the Mountains
Screenplay:
2004 Romantisme
2006 Like the Others
2010 Wave
2011 Loi 76
2014 Salma
2016 Hedi
2018 Dear Son
2024 Behind the Mountains
Script Consultant:
2004 Romantisme
2006 Like the Others
2010 Wave
2011 Loi 76
2014 Salma
2016 Hedi
2018 Dear Son
2024 Behind the Mountains
???? Ali
Writer:
2004 Romantisme
2006 Like the Others
2010 Wave
2011 Loi 76
2014 Salma
2016 Hedi
2018 Dear Son
2024 Behind the Mountains
???? Ali
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.