A work in constant progress (and occasional regress).
Alias:
Hyash
Birthplace:
Kolkata, West Bengal, India
Hyash Tanmoy identifies himself as a filmmaker, trans-disciplinary thinker/ researcher, creative entrepreneur, and social/cultural anthropologist with a diverse approach to gender equality, non-discrimination, racism, culture and heritage conservation, historical and architectural preservation, economic improvement through multi-layered human race development. His majors are surrounded by new media, cinema, fashion, photography, research, and archival management, curating, and idealization. His interest in global politics, international relations, and human conscience aligned with his self-taught process of studying Contemporary & Comparative arts and literature. In the mid of 2017, he co-originated WYND360 Foundation to establish humanity and solidarity through art and liberal imagination, which later took control over his earlier initiatives called Junior Masters and Zero Degree Arts and merged with this non-for-profit entity. In 2019 along with his creative team he co-founded Zephyr Atelier, a video, and new media house to interrogate and create a dialogue with alternative art and visual culture. His films and projects have been exhibited, critically acclaimed, and honored in more than 70 festivals around the world. He is working on the process of improvement in cinematic movement, forms, and artistic empowerment through the research-oriented art and multidisciplinary institution his organizations, and independent collaborations in India and around the world.
Cinematography:
2020 In the cross-fade of time, sense and the three elements of our existence
Costume Designer:
2013 An obsolete altar
2014 Companion
2015 Blackboard
2020 In the cross-fade of time, sense and the three elements of our existence
2022 Obituary Love Morphine
Director:
2013 An obsolete altar
2014 Companion
2014 Stark Electric Jesus
2015 Blackboard
2020 In the cross-fade of time, sense and the three elements of our existence
2022 Beneath Her Shroud
2022 Obituary Love Morphine
Producer:
2013 An obsolete altar
2014 Companion
2014 Stark Electric Jesus
2015 Blackboard
2019 Farrago
2019 is it winter already?
2020 Anomalies (Fibrosis)
2020 Anomalies (Thrombosis)
2020 In the cross-fade of time, sense and the three elements of our existence
2022 Beneath Her Shroud
2022 Obituary Love Morphine
Screenplay:
2013 An obsolete altar
2014 Companion
2014 Stark Electric Jesus
2015 Blackboard
2019 Farrago
2019 is it winter already?
2020 Anomalies (Fibrosis)
2020 Anomalies (Thrombosis)
2020 In the cross-fade of time, sense and the three elements of our existence
2022 Beneath Her Shroud
2022 Obituary Love Morphine
Sound:
2013 An obsolete altar
2014 Companion
2014 Stark Electric Jesus
2015 Blackboard
2019 Farrago
2019 is it winter already?
2020 Anomalies (Fibrosis)
2020 Anomalies (Thrombosis)
2020 In the cross-fade of time, sense and the three elements of our existence
2022 Beneath Her Shroud
2022 Obituary Love Morphine
Story:
2013 An obsolete altar
2014 Companion
2014 Stark Electric Jesus
2015 Blackboard
2019 Farrago
2019 is it winter already?
2020 Anomalies (Fibrosis)
2020 Anomalies (Thrombosis)
2020 In the cross-fade of time, sense and the three elements of our existence
2022 Beneath Her Shroud
2022 Obituary Love Morphine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.