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Margaret Rorison

Birthplace:
Baltimore, Maryland, USA

Biography from TheMovieDB

Margaret Rorison is filmmaker and curator from Baltimore, MD. Her current work focuses on alternative photographic processes, experimentation, and DIY methods of analog filmmaking.  Her moving image work has been exhibited at Anthology Film Archives, Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, Miami PULSE Art Fair, Mono No Aware VI & VII, Microscope Gallery, The Moscow Museum of Modern Art, The National Gallery of Art, and The Walker Art Center. Rorison won The 2018 Baker Artist Award for Film, she is a recipient of a 2016 Rubys Artist Project Grants, a recipient of The 2019 and 2016 Maryland State Arts Council Individual Artist Awards and a 2015 Sondheim Semi-finalist. She is the co-founder and curator of the film series Sight Unseen which focuses on bringing contemporary image-based work to Baltimore. The series started as a roaming entity in 2012 and now has a permanent home at The SNF Parkway Theatre in Baltimore City.  She works as an audiovisual specialist at The National Gallery of Art and teaches filmmaking and photography at The Baltimore School for the Arts, The Maryland Institute College of Art and Anne Arundel Community College.

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Film Production

Director:
2012  Gowanus Haze
2012  SCANSION
2012  The Birds of Chernobyl
2013  DER SPAZIERGANG
2013  PULL/DRIFT
2013  The Waiting Sands
2014  Funes el memorioso
2014  vindmøller
2015  Dark Logic
2015  One Document for Hope
2015  The Road to Kalmar
2017  Gedanken aus der Luft
2017  Memory of August
2018  Sympathetic Bodies
2019  understory
2021  Baltimore
2024  Was It a Dream or a Memory
2024  emergence

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.