A work in constant progress (and occasional regress).
Birthplace:
Oxford, England
Born:
August 31, 1975
Harding was born in Oxford. He studied trumpet at Chetham's School of Music and was a member of the National Youth Orchestra at age 13. At age 17, Harding assembled a group of musicians to perform Pierrot Lunaire of Arnold Schoenberg, and sent a tape of the performance to Simon Rattle in Birmingham. After listening to this tape, Rattle hired Harding as an assistant to him at the City of Birmingham Symphony Orchestra for a year, from 1993 to 1994. Harding then attended the University of Cambridge, but after his first year at university, Claudio Abbado named him his assistant with the Berlin Philharmonic Orchestra. Harding first conducted the Berlin Philharmonic at age 21. At the time of his first conducting appearance at The Proms in 1996, he was then the youngest-ever conductor to appear there. In 1997, Harding was the Music Director of the Ojai Music Festival alongside pianist Emanuel Ax. Harding has been music director of the Trondheim Symphony Orchestra (1997–2000), the Deutsche Kammerphilharmonie Bremen (1999–2003) and the Mahler Chamber Orchestra (2003–2008). Harding now has the title of conductor laureate with the Mahler Chamber Orchestra. He conducted the 2005 opening night at La Scala, Milan in Idomeneo, as a substitute after the resignation of Riccardo Muti earlier in 2005. In 2004, Harding was appointed principal guest conductor of the London Symphony Orchestra (LSO), as of 2006. One of his new projects with the LSO involved the Sound Adventures program for new compositions. With the LSO, he has conducted a commercial recording of the opera Billy Budd for EMI Classics. He became the Principal Conductor of the Swedish Radio Symphony Orchestra in 2007. In September 2009, he extended his contract as the orchestra's principal conductor through 2012. In April 2013, the orchestra further announced the extension of Harding's contract to 2015. With the orchestra, he has recorded commercially for the Sony Classical label. In June 2015, the Orchestre de Paris announced the appointment of Harding as its 9th principal conductor, effective September 2016. Harding concluded his tenure in the Orchestre de Paris post following the close of the 2018-2019 season. In October 2018, the Swedish Radio Symphony Orchestra announced the extension of Harding's contract as principal conductor through 2023, along with granting him the new title of konstnärlig ledare (artistic leader).
Conductor:
2012 Ariadne auf Naxos
2019 Edward Elgar - The Dream of Gerontius
2020 Mozart’s Don Giovanni (Swedish Radio Symphony Orchestra)
Music Director:
2005 Così fan tutte
2012 Ariadne auf Naxos
2019 Edward Elgar - The Dream of Gerontius
2020 Mozart’s Don Giovanni (Swedish Radio Symphony Orchestra)
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.