A work in constant progress (and occasional regress).
Associate Producer:
1954 Lease of Life
1956 The Feminine Touch
1957 The Shiralee
1960 The Angry Silence
1962 The L-Shaped Room
1963 Billy Liar
1964 Seance on a Wet Afternoon
1966 The Wrong Box
1967 The Whisperers
1968 Deadfall
1970 The Man Who Haunted Himself
Production Manager:
1952 Curtain Up
1954 Lease of Life
1956 The Feminine Touch
1957 The Shiralee
1960 Saturday Night and Sunday Morning
1960 The Angry Silence
1962 The L-Shaped Room
1963 Billy Liar
1964 Seance on a Wet Afternoon
1966 The Wrong Box
1967 The Whisperers
1968 Deadfall
1970 The Man Who Haunted Himself
Production Supervisor:
1952 Curtain Up
1954 Lease of Life
1956 The Feminine Touch
1957 The Shiralee
1960 Saturday Night and Sunday Morning
1960 The Angry Silence
1962 The L-Shaped Room
1963 Billy Liar
1964 Seance on a Wet Afternoon
1965 Masquerade
1966 The Wrong Box
1967 The Whisperers
1968 Deadfall
1970 The Man Who Haunted Himself
Unit Manager:
1947 The Life and Adventures of Nicholas Nickleby
1952 Curtain Up
1954 Lease of Life
1956 The Feminine Touch
1957 The Shiralee
1960 Saturday Night and Sunday Morning
1960 The Angry Silence
1962 The L-Shaped Room
1963 Billy Liar
1964 Seance on a Wet Afternoon
1965 Masquerade
1966 The Wrong Box
1967 The Whisperers
1968 Deadfall
1970 The Man Who Haunted Himself
Unit Production Manager:
1947 The Life and Adventures of Nicholas Nickleby
1952 Curtain Up
1954 Lease of Life
1954 The Love Lottery
1956 The Feminine Touch
1957 The Shiralee
1960 Saturday Night and Sunday Morning
1960 The Angry Silence
1962 The L-Shaped Room
1963 Billy Liar
1964 Seance on a Wet Afternoon
1965 Masquerade
1966 The Wrong Box
1967 The Whisperers
1968 Deadfall
1970 The Man Who Haunted Himself
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.