A work in constant progress (and occasional regress).
Alias:
Jian Fan
范俭
Born:
March 4, 1977
Fan Jian is a documentary director who focuses on Chinese social issues through character-driven storytelling. He is the documentary branch member of the AMPAS. Fan has directed six feature-length documentary films, most recently STILL TOMORROW, winner of the Special Jury Award at the IDFA 2016. His other films include MY LAND (Berlinale 2016; supported by Sundance Documentary Fund) and THE NEXT LIFE (IDFA 2011; Jury Prize at Guangzhou Documentary Film Festival 2011). His work has also screened in competition at Hot Docs, Full Frame, Sheffield, Busan, and dozens of other film festivals around the world. Fan studied at Beijing Film Academy and is now based in Chongqing, China. (Bio as of 2021)
Cinematography:
2012 The Next Life
2021 After the Rain
Director:
2008 Taxi
2010 Fracture Zone
2012 The Next Life
2015 一个女诗人的意外走红
2016 My Land
2017 Still Tomorrow
2020 被遗忘的春天
2021 After the Rain
2024 She Dances by the Sea
Director of Photography:
2008 Taxi
2010 Fracture Zone
2012 The Next Life
2015 一个女诗人的意外走红
2016 My Land
2017 Still Tomorrow
2019 Leftover Women
2020 被遗忘的春天
2021 After the Rain
2024 She Dances by the Sea
Editor:
2008 Taxi
2010 Fracture Zone
2012 The Next Life
2015 一个女诗人的意外走红
2016 My Land
2017 Still Tomorrow
2019 Leftover Women
2020 被遗忘的春天
2021 After the Rain
2024 She Dances by the Sea
Producer:
2008 Taxi
2010 Fracture Zone
2012 The Next Life
2015 一个女诗人的意外走红
2016 My Land
2017 Still Tomorrow
2019 Leftover Women
2020 被遗忘的春天
2021 After the Rain
2022 废物故事
2024 She Dances by the Sea
Creator:
2022 漫画一生
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.