A work in constant progress (and occasional regress).
Born:
July 28, 1975
Camera Operator:
2009 Welcome to North Korea!
2013 Life with Jester
2013 Vojta Lavička: Nahoru a dolů
2017 Sbohem děcáku
2018 Na tělo
2019 Manželské etudy: Nová Generace
2021 Anny
2021 Ester
2021 Karolína
Camera Supervisor:
2009 Welcome to North Korea!
2013 Life with Jester
2013 Vojta Lavička: Nahoru a dolů
2017 A Marriage Story
2017 Sbohem děcáku
2018 Na tělo
2019 Manželské etudy: Nová Generace
2021 Anny
2021 Ester
2021 Karolína
Cinematography:
2009 Welcome to North Korea!
2013 Life with Jester
2013 Vojta Lavička: Nahoru a dolů
2017 A Marriage Story
2017 Sbohem děcáku
2018 Na tělo
2019 Manželské etudy: Nová Generace
2021 Anny
2021 Ester
2021 Karolína
2022 René – The Prisoner of Freedom
Director of Photography:
2009 Ježíš je normální!
2009 Krušné domovy
2009 Welcome to North Korea!
2011 Fimfarum - To the good of all
2013 Life with Jester
2013 Vojta Lavička: Nahoru a dolů
2014 Beginnings
2014 Život podle Václava Havla
2015 Film Adventurer Karel Zeman
2017 A Marriage Story
2017 Sbohem děcáku
2018 Na tělo
2019 Forman vs. Forman
2019 Konspirace 89
2019 Manželské etudy: Nová Generace
2019 Z lásky nenávist 3: Domácí násilí na seniorech
2020 Doggy Love
2020 Můj otec Antonín Kratochvíl
2021 Anny
2021 Ester
2021 Karolína
2021 Leaving Beginnings Behind
2021 Peculiarity of Fisherman’s Soul
2022 Eternal Smile of Dana Němcová
2022 Mára Goes to Heaven
2022 René – The Prisoner of Freedom
2024 The Grand Finale of PSO
Director:
2016 Česká fotka
Director of Photography:
2016 Česká fotka
2017 Provedu! Přijímač
2018 Čertovské pohádky
Screenplay:
2016 Česká fotka
2017 Provedu! Přijímač
2018 Čertovské pohádky
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.