A work in constant progress (and occasional regress).
Vince Pope is an RTS winning and BAFTA nominated composer based in central London who has made his name providing contemporary and cutting edge scores for series including No Offence, Undercover, Misfits and Black Mirror. Having developed his interest in film whilst reading Maths at London University he left to pursue a musical career. Working on brand campaigns including Nike, BMW, Guinness, Honda, John Smiths and Walkers he won several prestigious industry awards. In 2011 Vince was nominated for a Bafta and went on to win the RTS Award for Best Original Score for his work on the second series of C4’s Misfits. The same year, Vince scored his first feature film, My Angel, starring Timothy Spall and Brenda Blethyn. He also scored the multi award-winning Wallander starring Kenneth Branagh. In 2016, Vince delivered the score for new E4 comedy The Aliens, and the BBC1 ratings hit Undercover, starring Sophie Okonedo and Adrian Lester and written by Peter Moffat. More recently Vince scored the Mexican film Tigers are Not Afraid, a German feature Why We Took The Car, and series 2 of C4’s hit series, No Offence. At present Vince is working on series 2 of Rebellion for Netflix, a drama depicting the role of women in the Easter uprising, and the third series of No Offence.
Music Producer:
2010 Misfits Christmas Special
Original Music Composer:
2010 Misfits Christmas Special
2015 The Bad Education Movie
2015 The Gamechangers
2016 Goodbye Berlin
2017 Tigers Are Not Afraid
2024 Churchill: Britain's Secret Apartheid
Compositors:
2012 Bad Education
Music:
2012 Bad Education
2013 Bluestone 42
2023 The Catch
Original Music Composer:
2011 Black Mirror
2012 Bad Education
2013 Bluestone 42
2014 True Detective
2019 Resistance
2022 The Holiday
2023 The Catch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.