A work in constant progress (and occasional regress).
Birthplace:
Aylesbury, Buckinghamshire, England, UK
Born:
November 29, 1907
Sound:
1936 Enough to Eat?
1938 Co-operette
1946 It Might Be You
1955 Secret Venture
1962 Live Now - Pay Later
Sound Designer:
1936 Enough to Eat?
1938 Co-operette
1946 It Might Be You
1948 The Red Shoes
1955 Secret Venture
1962 Live Now - Pay Later
Sound Director:
1936 Enough to Eat?
1938 Co-operette
1946 It Might Be You
1948 The Red Shoes
1955 Secret Venture
1957 Second Fiddle
1962 Live Now - Pay Later
Sound Engineer:
1936 Enough to Eat?
1938 Co-operette
1946 It Might Be You
1948 The Red Shoes
1951 The River
1955 Secret Venture
1957 Second Fiddle
1962 Live Now - Pay Later
Sound Mixer:
1936 Enough to Eat?
1938 Co-operette
1946 It Might Be You
1948 The Red Shoes
1951 The River
1954 Radio Cab Murder
1955 Secret Venture
1957 Second Fiddle
1962 Live Now - Pay Later
1962 Term of Trial
Sound Recordist:
1936 Enough to Eat?
1938 Co-operette
1938 Happy in the Morning: A Film Fantasy
1946 It Might Be You
1947 Take My Life
1948 Blanche Fury
1948 The Red Shoes
1951 The River
1953 Deadly Nightshade
1954 Radio Cab Murder
1954 The Green Buddha
1955 Cross Channel
1955 Secret Venture
1955 Track the Man Down
1956 The Feminine Touch
1957 Second Fiddle
1961 A Taste of Honey
1962 Live Now - Pay Later
1962 Term of Trial
Sound Supervisor:
1936 Enough to Eat?
1938 Co-operette
1938 Happy in the Morning: A Film Fantasy
1946 It Might Be You
1947 Take My Life
1948 Blanche Fury
1948 The Red Shoes
1951 The River
1953 Deadly Nightshade
1954 Radio Cab Murder
1954 The Green Buddha
1955 Cross Channel
1955 Secret Venture
1955 Track the Man Down
1956 The Feminine Touch
1957 Second Fiddle
1959 Web of Evidence
1961 A Taste of Honey
1962 Live Now - Pay Later
1962 Term of Trial
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.