A work in constant progress (and occasional regress).
Alias:
Marco Leao
Director:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2018 Self Destructive Boys
Editor:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2018 Self Destructive Boys
Producer:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2018 Self Destructive Boys
Screenplay:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2018 Self Destructive Boys
Sound:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2015 Excursions
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2017 Flores
2018 Self Destructive Boys
Sound Designer:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2015 Excursions
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2017 Flores
2018 Self Destructive Boys
Sound Mixer:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2015 Excursions
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2017 Flores
2018 Self Destructive Boys
Writer:
2008 Our Necessity for Comfort
2010 Wild Horses
2011 Infinito
2013 Bad Blood
2015 Driving Lesson
2015 Excursions
2016 Pedro
2017 Boys On Film 17: Love Is the Drug
2017 Flores
2018 Self Destructive Boys
Creator:
2023 Thieves Like Us
Director:
2019 Red Light
2023 Thieves Like Us
Screenplay:
2019 Red Light
2023 Thieves Like Us
Writer:
2019 Red Light
2023 Thieves Like Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.