A work in constant progress (and occasional regress).
Birthplace:
Jamaica, New York, USA
Jerome Hiler began his creative life as a painter and was a student of Natalia Pohrebinska at Pratt Institute. Within a few years, Mr. Hiler became enthralled with the visual and poetic possibilities of 16mm experimental film. In particular, his encounter with the films of Marie Menken, Gregory Markopoulos and Stan Brakhage deeply affected his own artistic path. It completely changed the focus of his creative energies and led to decades of work as a filmmaker. For most of his life, Mr. Hiler only screened his work among his circle of friends. However, from 1995 on, his work has been seen more publicly. He has shown his films at London's LUX film series, the San Francisco Film Festival, many seasons at the New York Film Festival, the London Film Festival and was selected by the Whitney Museum of American Art to participate in the 2012 Biennial for a week of screenings. Throughout his career, Mr. Hiler has also worked on feature films and documentaries. In the documentary field, he has worked either as photographer, editor or director and, occasionally, all three. Mr Hiler also works in the field of stained glass, which he considers a sister-art to film. Under the title CINEMA BEFORE 1300, he has presented slide lectures on medieval glass, culled from his extensive collection of photographs on the subject at the Yerba Buena Center for the Arts, Princeton University and The Art Gallery of Toronto. Mr. Hiler brought his love of classical music together with film in working as co-director on MUSIC MAKES A CITY.
Cinematography:
2010 Music Makes a City: A Louisville Orchestra Story
Costume Design:
1967 The Illiac Passion
2010 Music Makes a City: A Louisville Orchestra Story
Director:
1967 Fool’s Spring (Two Personal Gifts)
1967 The Illiac Passion
1970 Library
1990 Acid Rock
1995 Gladly Given
2001 Target Rock
2010 Music Makes a City: A Louisville Orchestra Story
2011 Words of Mercury
2012 In the Stone House
2012 New Shores
2013 Misplacement
2015 Marginalia
2016 Bagatelle II
2018 Bagatelle I
2018 Facades
2019 Ruling Star
2023 Cinema Before 1300
2024 Careless Passage
Writer:
1967 Fool’s Spring (Two Personal Gifts)
1967 The Illiac Passion
1970 Library
1990 Acid Rock
1995 Gladly Given
2001 Target Rock
2010 Music Makes a City: A Louisville Orchestra Story
2011 Words of Mercury
2012 In the Stone House
2012 New Shores
2013 Misplacement
2015 Marginalia
2016 Bagatelle II
2018 Bagatelle I
2018 Facades
2019 Ruling Star
2023 Cinema Before 1300
2024 Careless Passage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.