Pamela Forster

Pamela Forster is a stunt performer and stunt double. She has contributed her talents to blockbuster films such as Wonder Woman 1984 (2020), Maleficent: Mistress of Evil (2019), Doctor Strange in the Multiverse of Madness (2022), The Marvels (2023), Brahmastra Part One: Shiva (2022), Twist (2021), MindGamers (2015), Attack of the Lederhosen Zombies (2016), and The Mamba (2014).  She served as a stunt double for actresses such as Alia Bhatt in Brahmastra Part One: Shiva (2022), Sophie Simnett in Twist (2021), Melia Kreiling in MindGamers (2015), and Melika Foroutan in The Mamba (2014). In Doctor Strange in the Multiverse of Madness (2022), Pamela Forster doubled for Xochitl Gomez, and in The Marvels (2023), she doubled for Iman Vellani.  Her skill set also includes prominent stunt performance roles beyond doubling. In Wonder Woman 1984 (2020), she contributed as a stunt performer within the ensemble. That contribution was recognised when she won the 2021 Screen Actors Guild Award for Outstanding Action Performance by a Stunt Ensemble in a Motion Picture for Wonder Woman 1984.  Her television appearances are comparatively limited; she has acted in episodes of Red Bull Sport Events (2018) in the series Red Bull Art of Motion, and appeared as herself—including freerunning demonstrations—on shows like Ninja Warrior Germany (2016–2020), Stöckl (2019), Klein gegen Groß – Das unglaublich Duell (2018), ABC of... (2018), and Ninja Warrior Austria (2017).

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.