A work in constant progress (and occasional regress).
Marylène Negro’s works often bring about a face to face, either two solitudes or two creatures so totally different that nothing but their physical position can point to a relation between them. More often, what one sees is a sound or visual representation that the film contemplates, not to understand it but to represent it from its limitlessness, until it provokes a sweet vertigo. For Marylène Negro, the image represents an area of intercession that defuses the potential violence of a meeting, keeping only the qualities of attention, vigor and benevolence, prerequisites to a possible exchange. The image enables apprehension without prehension. (Nicole Brenez)
Director:
1999 Girafe
2005 Seeland
2006 Elding
2006 Les Biches
2006 Raid
2006 Une nuit
2007 Ich sterbe
2007 Longue Vue
2007 Message
2007 Pa
2007 Seek
2007 Weg
2008 Après
2008 Candle in the wind
2008 L'homme atlantique
2008 Mabel
2008 Muriel
2009 A Whiter Shade
2009 C'est vous
2009 Moss
2009 Répons
2009 Vénus
2010 Bonne aventure
2010 Dark Continent
2010 Eclisse
2010 X+
2011 Slettabol
2012 Daymondes
2013 Highlands
2013 Majeur et vacciné
2014 Matteo
2014 You I Tourneur
2015 Koma
2015 Limenland
2016 Hand-pick
2016 KeraMilnadu
2016 Noyale
2017 Ganga
2018 Pass
2020 Faites des gosses
2021 L'Enfance qui nous revient a l'éclat d'une étoile
2022 Post
2023 Hot Heat
2023 Moi, Isabelle Huppert
2024 Grand Incendie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.