A work in constant progress (and occasional regress).
Birthplace:
Snow Hill, Alabama, USA
Born:
July 23, 1928
Died:
May 24, 2023
William James Edwards Lee (July 23, 1928 – May 24, 2023) was an American musician. He was the father of Spike Lee and Joie Lee. He composed original music for many of his son's films, including She's Gotta Have It (1986), School Daze (1988), Do the Right Thing (1989), and Mo' Better Blues (1990). Lee was involved in many releases from the Strata-East jazz record label, including directing the 1980 album The New York Bass Violin Choir. Lee played the bass for many artists, including Chris Anderson, Cat Stevens, Harry Belafonte, Chad Mitchell Trio, Gordon Lightfoot, Aretha Franklin, Odetta, Simon and Garfunkel, Ian & Sylvia, Tom Rush, Burt Bacharach, Peter, Paul and Mary, Arlo Guthrie, Tom Paxton, Carolyn Hester, John Lee Hooker, Josh White, Duke Ellington, Malvina Reynolds, Eric Bibb, The Clancy Brothers, and Bob Dylan. On the original release of Dylan's classic song "It's All Over Now, Baby Blue," Lee, on bass guitar, is the only musician performing other than Dylan himself. On Gordon Lightfoot's song Oh, Linda (recorded 1964), Lee is also the only musician other than Lightfoot's voice. Description above from the Wikipedia article Bill Lee (musician), licensed under CC BY-SA, full list of contributors on Wikipedia.
Original Music Composer:
1983 Joe's Bed-Stuy Barbershop: We Cut Heads
1986 She's Gotta Have It
1988 School Daze
1989 Do the Right Thing
1990 Mo' Better Blues
1996 Never Met Picasso
Sound Mixer:
1983 Joe's Bed-Stuy Barbershop: We Cut Heads
1986 She's Gotta Have It
1988 School Daze
1989 Do the Right Thing
1990 Mo' Better Blues
1996 Never Met Picasso
2020 Elder's Corner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.