A work in constant progress (and occasional regress).
Birthplace:
Glendale, California
Born:
June 14, 1951
Tim graduated from the Ringling Brothers Barnum and Bailey Clown college in 1971. He then traveled with several circuses where he learned to train elephants. He then went to the St. Louis zoo where he trained elephants for the show. After moving back to California his original home state, he was hired to train elephants for the film business. Because he plays 4 musical instruments he was fascinated with sound and naturally gravitated to that field. In 1976 Tim started working as a boom man at Universal Studios. He mixed his first studio picture for Columbia in 1981, entitled Blue Thunder. Since then he has become well respected in his field as a production sound mixer and has 9 nominations for various awards that include an Oscar, 3 Emmys, 2 Cinema Audio society awards and 3 Golden Reel nominations. Tim won the Golden Reel for best sound in 2000.
Producer:
1995 The Feminine Touch
Production Sound Mixer:
1991 The Marrying Man
1993 Cliffhanger
1995 The Feminine Touch
1997 Conspiracy Theory
1998 Lethal Weapon 4
1998 The Last Days
1999 Deep Blue Sea
2002 We Were Soldiers
2009 Bring It On: Fight to the Finish
Sound Mixer:
1983 Blue Thunder
1988 I Saw What You Did
1990 Die Hard 2
1990 The Adventures of Ford Fairlane
1991 Session Man
1991 The Marrying Man
1993 Cliffhanger
1993 Demolition Man
1995 Tales from the Crypt: Demon Knight
1995 The Feminine Touch
1997 Conspiracy Theory
1998 Lethal Weapon 4
1998 The Last Days
1999 Deep Blue Sea
2001 Joy Ride
2002 We Were Soldiers
2004 Paparazzi
2004 The Punisher
2009 Bring It On: Fight to the Finish
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.