William Brown

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William Brown is a Cinema Studies scholar and professor at the University of British Columbia, Canada. He has published numerous essays in journals and edited collections, and is also the author of The Squid Cinema from Hell: Kinoteuthis Infernalis and the Emergence of Chthulumedia (with David H. Fleming). Furthermore, he is also a maker of zero- to low-budget films, all produced under the umbrella of Beg Steal Borrow.

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Director:
2010  Afterimages
2010  Waiting for Godard
2014  China: A User's Manual (Films)
2014  Common Ground
2014  Selfie
2015  The New Hope
2016  Circle/Line
2016  Letters to Ariadne
2016  Ur: The End of Civilization in 90 Tableaux
2017  #randomaccessmemory
2017  Sculptures of London
2017  St Mary Magdalen's Home Movies
2018  Clem
2018  Vladimir and William
2019  Golden Gate
2019  La Belle Noise
2019  The Benefit of Doubt
2020  CINEMA-19
2020  The New Hope 2
2024  App 666
2024  Cake and Death

Editor:
2010  Afterimages
2010  Waiting for Godard
2014  China: A User's Manual (Films)
2014  Common Ground
2014  Selfie
2015  The New Hope
2016  Circle/Line
2016  Letters to Ariadne
2016  Ur: The End of Civilization in 90 Tableaux
2017  #randomaccessmemory
2017  Sculptures of London
2017  St Mary Magdalen's Home Movies
2018  Clem
2018  Vladimir and William
2019  Golden Gate
2019  La Belle Noise
2019  The Benefit of Doubt
2020  CINEMA-19
2020  The New Hope 2
2024  App 666
2024  Cake and Death

Producer:
2010  Afterimages
2010  Waiting for Godard
2014  China: A User's Manual (Films)
2014  Common Ground
2014  Selfie
2015  A Man Called Jon
2015  The New Hope
2016  Circle/Line
2016  Letters to Ariadne
2016  Ur: The End of Civilization in 90 Tableaux
2017  #randomaccessmemory
2017  Sculptures of London
2017  St Mary Magdalen's Home Movies
2018  Clem
2018  Vladimir and William
2019  Golden Gate
2019  La Belle Noise
2019  The Benefit of Doubt
2020  CINEMA-19
2020  The New Hope 2
2024  App 666
2024  Cake and Death

Writer:
2010  Afterimages
2010  Waiting for Godard
2014  China: A User's Manual (Films)
2014  Common Ground
2014  Selfie
2015  A Man Called Jon
2015  The New Hope
2016  Circle/Line
2016  Letters to Ariadne
2016  Ur: The End of Civilization in 90 Tableaux
2017  #randomaccessmemory
2017  Sculptures of London
2017  St Mary Magdalen's Home Movies
2018  Clem
2018  Vladimir and William
2019  Golden Gate
2019  La Belle Noise
2019  The Benefit of Doubt
2020  CINEMA-19
2020  The New Hope 2
2024  App 666
2024  Cake and Death

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.