Jonathan Borland

Alias:
Jon Borland

Jon Borland is a sound designer and sound editor living in Kansas City. In 2010, after graduating from the Vancouver Film School Sound Design for Visual Media program, he was hired by Randy Thom, Director of Sound Design at Skywalker Sound. Since studying under Thom, he has gone on to work on many projects in film, television, video games, and virtual reality. Among these projects are Pixar's "Incredibles 2,"  "Star Wars: The Last Jedi,"  Marvel's "Black Panther," and Disney's "Moana," for which he received a MPSE Golden Reel award. Through his work, Jon strives to help tell stories using the ability of sound to unobtrusively influence the imagination.

Additional information:

The Search Form


Assistant Sound Editor:
2014  Guardians of the Galaxy

Foley Editor:
2014  Guardians of the Galaxy
2015  Star Wars: The Force Awakens

Sound Designer:
2014  Guardians of the Galaxy
2015  Star Wars: The Force Awakens
2023  Stan Lee

Sound Effects Editor:
2013  Despicable Me 2
2014  Guardians of the Galaxy
2015  Star Wars: The Force Awakens
2015  The Little Prince
2016  Finding Dory
2016  Moana
2016  Pete's Dragon
2018  Black Panther
2018  Incredibles 2
2020  Mulan
2023  Ant-Man and the Wasp: Quantumania
2023  Stan Lee

Sound Designer:
2021  Hawkeye
2025  Daredevil: Born Again

Supervising Sound Editor:
2021  Hawkeye
2024  Echo
2025  Daredevil: Born Again

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.