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Afonso Vianna

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Alias:
Affonso Viana

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Film Production

Assistant Camera:
1952  Carnaval Atlântida

Assistant Director of Photography:
1952  Carnaval Atlântida
1952  I Loved a Bookie

Camera Operator:
1952  Carnaval Atlântida
1952  I Loved a Bookie
1955  Carioca Symphony
1958  No Mundo da Lua
1958  O Batedor de Carteiras
1963  The Dead at the Phone
1968  A Última Ceia Segundo Ziraldo
1986  It's Not All True

Cinematography:
1952  Carnaval Atlântida
1952  I Loved a Bookie
1955  Carioca Symphony
1958  No Mundo da Lua
1958  O Batedor de Carteiras
1963  The Dead at the Phone
1967  O Grande Assalto
1968  A Última Ceia Segundo Ziraldo
1973  As Depravadas
1975  Essas Mulheres Lindas, Nuas e Maravilhosas
1980  As Intimidades de Duas Mulheres
1986  It's Not All True

Director of Photography:
1952  Carnaval Atlântida
1952  I Loved a Bookie
1955  Carioca Symphony
1958  No Mundo da Lua
1958  O Batedor de Carteiras
1963  The Beggars
1963  The Dead at the Phone
1967  O Grande Assalto
1968  A Última Ceia Segundo Ziraldo
1968  Os Carrascos Estão Entre Nós
1970  As Escandalosas
1970  Ascensão e Queda de um Paquera
1971  O Bolão
1972  Com a Cama na Cabeça
1972  Jerônimo, o Herói do Sertão
1973  As Depravadas
1973  Choro Dele
1974  Divórcio à Brasileira
1974  Onanias, o Poderoso Machão
1975  Essas Mulheres Lindas, Nuas e Maravilhosas
1977  Virgin on the Hill
1978  A Dama de Branco
1979  Dupla Traição
1980  As Intimidades de Duas Mulheres
1982  Mulheres Liberadas
1983  A Cobiça do Sexo
1986  It's Not All True

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.