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Hernán Toro

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Birthplace:
Caracas, Venezuela

Biography from TheMovieDB

Hernán Toro was born and raised in the colorful city of Caracas, Venezuela; there he studied advertising before leaving home for England, where he attended The London Film School. Once back in Caracas, he rapidly became one of most sought after and recognized cinematographers in Venezuela, then South America and eventually moved to New York where he resides since 1995.  Toro has shot over 20 feature films most notably "First We Take Brooklyn," "3 Noches," "Mob Town," "The Mortal Instruments: City of Bones." Recently "Spiked," "Blackjack: The Story of Jackie Ryan," "Hamlet/Horatio," and nearly 900 TV commercials, several music videos, shorts, and documentaries. In between films he dedicates his time to teach Cinematography to newer generations of Filmmakers at the New York Film Academy.  Hernán continues to apply his eye, knowledge, and passion to his cinematography. He is also an accomplished still photographer, with his work shown as part of a dozen photographic exhibitions, photos published in magazines, catalogs, and three architectural books.

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Film Production

Cinematography:
1987  Operación billete
2021  Spiked

Director of Photography:
1987  Operación billete
1987  The Scandal
1992  The Mystery of the Scarlet Eyes
1992  Zoológico
1994  Roraima
1996  Twisted
1998  Little Thieves, Big Thieves
1999  Puppet
2001  3 Nights
2018  First We Take Brooklyn
2019  Mob Town
2020  Blackjack: The Jackie Ryan Story
2021  Hamlet/Horatio
2021  I Love Us
2021  Spiked

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.