A work in constant progress (and occasional regress).
Birthplace:
Rancagua, Chile
Born:
November 6, 1968
What defines Aliaga’s work is a constant exploration of emotion and the way this emotion relates to image and gesture. He has worked in film, television, dance and theater and his clients include independent filmmakers as well as commissions from the public and private worlds. Jorge’s latest prizes include the Jerry Goldsmith Award for Best Music Score for a Short Action Film with “Necrolovers”, directed by Víctor Uribe at the Music Film Festival in Ciudad de Córdoba, Spain, 2014 and, the Pulsar 2015-2017 Award in Best Music for Audiovisual works in Santiago de Chile.
Music:
1998 Blind Sky
2016 El (im)posible olvido
2023 Triumph Over Prejudice: The Montford Point Marines
Original Music Composer:
1998 Blind Sky
2000 Mi famosa desconocida
2001 Antonia
2003 Silvia's Gift
2009 The Night Visitor
2015 La mujer de la Esclavina
2016 El (im)posible olvido
2018 Shoe Shiner
2022 Ultimate Sacrifices: CPT. Jennifer Moreno
2023 Triumph Over Prejudice: The Montford Point Marines
Sound Designer:
1998 Blind Sky
2000 Mi famosa desconocida
2001 Antonia
2003 Silvia's Gift
2009 Desde el corazón
2009 The Night Visitor
2015 La mujer de la Esclavina
2016 El (im)posible olvido
2018 Shoe Shiner
2022 Ultimate Sacrifices: CPT. Jennifer Moreno
2023 Triumph Over Prejudice: The Montford Point Marines
Original Music Composer:
2021 Isabel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.