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Gabriel Tiedtke (b. 1997)

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Birthplace:
Kalmar, Kalmar län, Sweden

Born:
February 11, 1997

Biography from TheMovieDB

Gabriel Tiedtke is a Swedish director and cinematographer born in 1997 in the small coastal town of Kalmar. Since a very young age creative expression has been on his mind and at the age of 16 he finally decided on what form to shoot for. He made the decision to move away from family and friends to the capital of Sweden - Stockholm. There he attended the film school Stillerska Filmgymnasiet. With a passion for filmmaking and learning combined with his strong work ethics he graduated in spring of 2016 with the highest grade in all courses.  During his time in film school he started working on various smaller productions and has since worked with music videos and commercial work to fiction and documentary for companies like Warner Music, TEN Music Group, King and the Swedish agency for music and theatre. In June 2016 he finished his directorial debut short film "DRIVVED" (Swedish for "driftwood") which starred acclaimed actor Kim Sulocki (Spongebob Squarepants, Tre Kronor).  With a strong ambition for compelling storytelling and intriguing aesthetics he founded his own production company TIED Visuals in mid 2016 which focuses on delivering inexpensive film production without compromising quality.  - IMDb Mini Biography By: Gabriel Tiedtke

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Film Production

Cinematography:
2016  Summer and a Hell of a Lot of Trouble

Color Grading:
2016  Summer and a Hell of a Lot of Trouble
2022  Everything About the Actual Difference

Colorist:
2016  Summer and a Hell of a Lot of Trouble
2019  I Want to See Gellivare Burn
2022  Everything About the Actual Difference

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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