A work in constant progress (and occasional regress).
Director:
2005 La Pastorale de Noël de M.A Charpentier
2005 Un Automne musical à Versailles
2006 La Petite Musique de Marie-Antoinette: Music for the Queens Theater
2010 Beethoven Symphonies Nos. 4 & 7; Coriolan Overture
2011 Cendrillon
2011 La Didone
2012 Hespèrion XXI - Lacrimae Caravaggio: Musical Europe in the time of Caravaggio
2013 Le comte Ory
2013 Mission
2014 Jean-Philippe Rameau, le maître du Baroque
2014 Rameau Hippolyte et Aricie
2014 Rameau: Les Indes galantes
2015 Donizetti La Favorite
2015 Theodora
2016 Giselle (Mariinsky Theatre)
2017 London Symphony Orchestra: Stravinsky
2018 Seiji Ozawa — Back to Japan
2020 Manon
2020 Promenade musicale à Versailles
2020 The King's Bedtime French Baroque Music from Versailles
2022 Kaija im Porträt - Konzert und Dokumentation
2023 Vivaldi and Mozart in the Cour Marly - An evening at the Musée du Louvre
2024 Ifgenia in Aulide- ARTE Concert
2024 Sandrine Piau & Les Talens Lyriques Bayreuth Baroque Opera Festival 2024
???? Les Plaisirs de Versailles
Producer:
2005 La Pastorale de Noël de M.A Charpentier
2005 Un Automne musical à Versailles
2006 La Petite Musique de Marie-Antoinette: Music for the Queens Theater
2010 Beethoven Symphonies Nos. 4 & 7; Coriolan Overture
2011 Cendrillon
2011 La Didone
2012 Hespèrion XXI - Lacrimae Caravaggio: Musical Europe in the time of Caravaggio
2013 Le comte Ory
2013 Mission
2014 Jean-Philippe Rameau, le maître du Baroque
2014 Rameau Hippolyte et Aricie
2014 Rameau: Les Indes galantes
2015 Donizetti La Favorite
2015 Theodora
2016 Giselle (Mariinsky Theatre)
2017 London Symphony Orchestra: Stravinsky
2018 Seiji Ozawa — Back to Japan
2019 Rodelinda
2020 Manon
2020 Promenade musicale à Versailles
2020 The King's Bedtime French Baroque Music from Versailles
2022 Kaija im Porträt - Konzert und Dokumentation
2023 Vivaldi and Mozart in the Cour Marly - An evening at the Musée du Louvre
2024 Ifgenia in Aulide- ARTE Concert
2024 Sandrine Piau & Les Talens Lyriques Bayreuth Baroque Opera Festival 2024
???? Les Plaisirs de Versailles
Recording Supervision:
2005 La Pastorale de Noël de M.A Charpentier
2005 Un Automne musical à Versailles
2006 La Petite Musique de Marie-Antoinette: Music for the Queens Theater
2010 Beethoven Symphonies Nos. 4 & 7; Coriolan Overture
2011 Cendrillon
2011 La Didone
2012 Hespèrion XXI - Lacrimae Caravaggio: Musical Europe in the time of Caravaggio
2013 Le comte Ory
2013 Mission
2014 Jean-Philippe Rameau, le maître du Baroque
2014 Rameau Hippolyte et Aricie
2014 Rameau: Les Indes galantes
2015 Donizetti La Favorite
2015 Theodora
2016 Giselle (Mariinsky Theatre)
2017 London Symphony Orchestra: Stravinsky
2018 Le Devin du Village
2018 Seiji Ozawa — Back to Japan
2019 Rodelinda
2020 Manon
2020 Promenade musicale à Versailles
2020 The King's Bedtime French Baroque Music from Versailles
2022 Kaija im Porträt - Konzert und Dokumentation
2023 Vivaldi and Mozart in the Cour Marly - An evening at the Musée du Louvre
2024 Ifgenia in Aulide- ARTE Concert
2024 Sandrine Piau & Les Talens Lyriques Bayreuth Baroque Opera Festival 2024
???? Les Plaisirs de Versailles
Director:
2014 Looking for the Hobbit
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.