A work in constant progress (and occasional regress).
Birthplace:
Ulaanbaatar, Mongolia
Born:
January 1, 1971
Between 1995 and 1998 she studied at the Movie Academy in Ulaanbaatar. In 1998 she began to work as a moderator and director's assistant with Mongolian National Television. In 2000 she moved to Munich, Germany, to study documentary film and communication sciences at the University of Television and Film Munich.[1] In 2003 Davaa wrote and directed The Story of the Weeping Camel (2003), which gained several awards and nominations, including Best Documentary Film at the Bavarian Film Awards, Best Documentary at the 57th Directors Guild of America Awards, and a nomination for Best Documentary at the 77th Academy Awards. Her other films include The Cave of the Yellow Dog (2006), for which she won the 2006 German Film Award for Best Children's Film, and Veins of the World (2020). Her films through 2006 tell stories embedded in the traditional life of the nomads in Mongolia. The subjects of her movies also serve as amateur actors, playing mostly themselves, which positions her work somewhere between documentary and fiction.
Director:
2003 The Story of the Weeping Camel
2005 The Cave of the Yellow Dog
2009 The Two Horses of Genghis Khan
2020 Veins of the World
Producer:
2003 The Story of the Weeping Camel
2005 The Cave of the Yellow Dog
2009 The Two Horses of Genghis Khan
2020 Veins of the World
Screenplay:
2003 The Story of the Weeping Camel
2005 The Cave of the Yellow Dog
2009 The Two Horses of Genghis Khan
2020 Veins of the World
Writer:
2003 The Story of the Weeping Camel
2005 The Cave of the Yellow Dog
2009 The Two Horses of Genghis Khan
2020 Veins of the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.