A work in constant progress (and occasional regress).
ADR Mixer:
2005 Breakfast on Pluto
2015 The Price of Desire
Dialogue Editor:
2005 Breakfast on Pluto
2012 Loving Miss Hatto
2015 The Price of Desire
Foley Mixer:
2002 Reign of Fire
2005 Breakfast on Pluto
2012 Loving Miss Hatto
2015 The Price of Desire
Sound:
2002 Reign of Fire
2005 Breakfast on Pluto
2012 Loving Miss Hatto
2015 The Price of Desire
2021 Camera Tripod Bicycle
Sound Mixer:
2002 Reign of Fire
2005 Breakfast on Pluto
2008 The Flight Before Christmas
2012 Loving Miss Hatto
2015 The Price of Desire
2021 Camera Tripod Bicycle
Sound Re-Recording Mixer:
2002 Reign of Fire
2003 The Actors
2003 The Good Thief
2004 Capital Letters
2004 Dead Meat
2005 Breakfast on Pluto
2008 The Flight Before Christmas
2012 Loving Miss Hatto
2014 Gold
2014 Miss Julie
2015 The Price of Desire
2021 Camera Tripod Bicycle
2023 In the Shadow of Beirut
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.