Håkan Dahlström (b. 1952)

Birthplace:
Sweden

Born:
January 1, 1952

Håkan Dahlström, born in Sweden (1952) has dedicated himself to art since his childhood in Málaga (Spain), he spent some ten years there and studied at Picasso’s Art School. A lot of his youth he travelled extensively with his family, both his parents were artists (writer Sture Dahlström and painter Anna-Stina Ehrenfeldt).  They lived for a year in the Arizona desert, to which he years later – in 1974 – returned and filmed the 16mm film “Mirror Movement”. His understanding of Nature and Cosmos is vital, observing plants and animals that are present in his work since his beginnings.  He started out as a filmmaker when he found his father's camera at the age of 14 and in 1967 won the gold medal at Unescos 5th International Contest for Young Filmmakers (Paris). The following years in California, (San Fransisco) he lived and worked among other artists in the avant-garde circles and participated in the underground film movement, showing his work amongst other places at the Berkeley Film Archives. Back in Sweden he won prizes from Swedish Television in 1967, 1968 and 1969. His work has been shown in cinemathéques and art centers in Scandinavia, Paris, London as well as on television.  Today he continues filming on video, using different media and also ways to achieve interaction between film, photography and 3-dimensional work.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.