A work in constant progress (and occasional regress).
Birthplace:
Sweden
Born:
January 1, 1952
Håkan Dahlström, born in Sweden (1952) has dedicated himself to art since his childhood in Málaga (Spain), he spent some ten years there and studied at Picasso’s Art School. A lot of his youth he travelled extensively with his family, both his parents were artists (writer Sture Dahlström and painter Anna-Stina Ehrenfeldt). They lived for a year in the Arizona desert, to which he years later – in 1974 – returned and filmed the 16mm film “Mirror Movement”. His understanding of Nature and Cosmos is vital, observing plants and animals that are present in his work since his beginnings. He started out as a filmmaker when he found his father's camera at the age of 14 and in 1967 won the gold medal at Unescos 5th International Contest for Young Filmmakers (Paris). The following years in California, (San Fransisco) he lived and worked among other artists in the avant-garde circles and participated in the underground film movement, showing his work amongst other places at the Berkeley Film Archives. Back in Sweden he won prizes from Swedish Television in 1967, 1968 and 1969. His work has been shown in cinemathéques and art centers in Scandinavia, Paris, London as well as on television. Today he continues filming on video, using different media and also ways to achieve interaction between film, photography and 3-dimensional work.
Director:
1968 Nirona
1970 A Cabinet for Daydreams
1970 Hommage à Meliérs
1971 Just South of My Memories
1972 The Dandruff of Metals
1973 Mirror Movement
1999 Anna-Stina Ehrenfeldt: Painter
2000 Acoustic Self-Portrait
2000 Existential Errands
2002 Dilemma
2003 Costaleros
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.