A work in constant progress (and occasional regress).
Alias:
Rich B. Moore Jr.
Rich B. Moore, Jr.
"C" Camera Operator:
2020 Tremors: Shrieker Island
Assistant Camera:
2000 X-Men: The Mutant Watch
2020 Tremors: Shrieker Island
Camera Operator:
2000 X-Men: The Mutant Watch
2004 Sniper 3
2005 Vampires: The Turning
2013 The Hangover Part III
2013 The Hunters
2015 No Escape
2016 Gold
2016 River
2020 Tremors: Shrieker Island
Director:
2000 X-Men: The Mutant Watch
2004 Sniper 3
2005 Vampires: The Turning
2013 The Hangover Part III
2013 The Hunters
2015 No Escape
2016 Gold
2016 River
2018 Who's Watching Oliver
2020 Tremors: Shrieker Island
Director of Photography:
2000 X-Men: The Mutant Watch
2004 Sniper 3
2005 P
2005 Vampires: The Turning
2009 Ja Ae... Koey Laew Ja
2013 The Hangover Part III
2013 The Hunters
2015 No Escape
2016 Gold
2016 River
2018 Who's Watching Oliver
2020 Tremors: Shrieker Island
Second Assistant Camera:
1996 Reggie's Prayer
2000 X-Men: The Mutant Watch
2004 Sniper 3
2005 P
2005 Vampires: The Turning
2009 Ja Ae... Koey Laew Ja
2013 The Hangover Part III
2013 The Hunters
2015 No Escape
2016 Gold
2016 River
2018 Who's Watching Oliver
2020 Tremors: Shrieker Island
Second Unit Director of Photography:
1996 Reggie's Prayer
2000 X-Men: The Mutant Watch
2004 Sniper 3
2005 P
2005 Vampires: The Turning
2009 Ja Ae... Koey Laew Ja
2013 The Hangover Part III
2013 The Hunters
2015 No Escape
2016 Gold
2016 River
2018 Who's Watching Oliver
2020 Tremors: Shrieker Island
Writer:
1996 Reggie's Prayer
2000 X-Men: The Mutant Watch
2004 Sniper 3
2005 P
2005 Vampires: The Turning
2009 Ja Ae... Koey Laew Ja
2013 The Hangover Part III
2013 The Hunters
2015 No Escape
2016 Gold
2016 River
2018 Who's Watching Oliver
2020 Tremors: Shrieker Island
Camera Operator:
2005 Mysterious Island
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.