A work in constant progress (and occasional regress).
Director:
2018 The Beetle at the End of the Street
Editor:
2018 The Beetle at the End of the Street
2021 War of Likes
Music:
1985 Un parell d’ous
1986 La ràdio folla
1988 Barcelona Connection
1988 Qui t’estima, Babel?
1991 Ho sap el ministre?
1997 What Makes Women Laugh?
2018 The Beetle at the End of the Street
2021 War of Likes
Original Music Composer:
1985 Un parell d’ous
1986 La ràdio folla
1987 Material urbà
1988 Barcelona Connection
1988 Qui t’estima, Babel?
1991 Ho sap el ministre?
1997 What Makes Women Laugh?
2013 Volare
2018 The Beetle at the End of the Street
2021 War of Likes
Producer:
1985 Un parell d’ous
1986 La ràdio folla
1987 Material urbà
1988 Barcelona Connection
1988 Qui t’estima, Babel?
1991 Ho sap el ministre?
1997 What Makes Women Laugh?
2013 Volare
2018 The Beetle at the End of the Street
2021 War of Likes
2024 El Cos
2024 Marco
Thanks:
1985 Un parell d’ous
1986 La ràdio folla
1987 Material urbà
1988 Barcelona Connection
1988 Qui t’estima, Babel?
1991 Ho sap el ministre?
1997 What Makes Women Laugh?
2013 Volare
2018 The Beetle at the End of the Street
2021 War of Likes
2022 Cave
2022 Chrysalises
2022 Fifteen Love
2024 El Cos
2024 Marco
Writer:
1985 Un parell d’ous
1986 La ràdio folla
1987 Material urbà
1988 Barcelona Connection
1988 Qui t’estima, Babel?
1991 Ho sap el ministre?
1997 What Makes Women Laugh?
2013 Volare
2018 The Beetle at the End of the Street
2021 War of Likes
2022 Cave
2022 Chrysalises
2022 Fifteen Love
2023 Tequila Re-Pasado
2024 El Cos
2024 Marco
Music:
2020 HIT
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.