Rhys Ernst

Rhys Ernst is a filmmaker and artist. Ernst was nominated for a 2015 Emmy Award for directing and producing the webseries This Is Me. He created the award-winning trans history web series We’ve Been Around, and is a Producer, Director on Amazon’s Transparent; he also created the Transparent title sequence. Ernst has shown work in the Whitney Biennial, Sundance, Oberhausen, and The Hammer Museum; he has won awards at Outfest, Chicago International Film Festival and the LA Transgender Film Festival; he has won two GLAAD Awards, was a Point Scholar, a Project Involve Fellow, and was awarded the Point Foundation Horizon Award and the ACLU Liberty Award for his work on LGBTQ representation in the media. He lives in Los Angeles and is the director of the forthcoming feature ADAM.

Additional information:

The Search Form


Assistant Camera:
????  Unison

Director:
2003  The Drive North
2009  N Train
2009  Secret Men's Club: Moment # 133
2012  She Gone Rogue
2012  The Thing
2014  Dear Lou Sullivan
2016  We've Been Around
2018  Umbrella
2019  Adam
????  Unison

Executive Producer:
2003  The Drive North
2009  N Train
2009  Secret Men's Club: Moment # 133
2012  She Gone Rogue
2012  The Thing
2014  Dear Lou Sullivan
2016  We've Been Around
2018  Umbrella
2019  Adam
2021  Death and Bowling
????  Unison

Writer:
2003  The Drive North
2009  N Train
2009  Secret Men's Club: Moment # 133
2012  She Gone Rogue
2012  The Thing
2014  Dear Lou Sullivan
2016  We've Been Around
2018  Umbrella
2019  Adam
2021  Death and Bowling
????  Unison

Director:
2014  Transparent
2015  This Is Me

Supervising Producer:
2014  Transparent
2015  This Is Me

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.