Carven (1909-2015)

Alias:
Carmen de Tommaso
Marie-Louise Carven

Birthplace:
Châtellerault, Vienne, France

Born:
August 31, 1909

Died:
June 8, 2015

Marie-Louise Carven (31 August 1909 – 8 June 2015), born Carmen de Tommaso, was a French fashion designer who founded the house of Carven in 1945. She was noted for her designs for petite women, her use of lightweight fabrics such as lace and pink gingham, and for being one of the first couturieres to launch a prêt-à-porter line.[5] She was the first Paris designer to patent a push-up bra.  Marie-Louise Carven was born Carmen de Tommaso on 31 August 1909 in Châtellerault, France. However, she strongly disliked her given name, and when she founded her business, she assumed the name by which she is better known. Carven showed an interest in fashion design from a young age by making outfits for her pet cat.  As a young woman, Carven studied architecture and interior decor at the École des Beaux-Arts in Paris.  In the 1940s, she employed the Romanian Jew Henry Bricianer in her shop in Paris despite antisemitic Vichy laws. When the police came for Bricanier, she hid him in the building where her shop was, and allowed him to continue his work. As well, she allowed four members of Bricanier's family to live with her own relatives; this enabled them and Henry to survive until the end of World War II.  She had a chateau in Chantilly, where she kept kangaroos and peacocks, and a summer house on the Riviera.  Carven died in Paris on 8 June 2015, aged 105.  In 1945, at the age of 34, Carven opened her fashion house on the Champs-Élysées. The name Carven combined Carmen, her given name, with the last name of her aunt Josy Boyriven, who introduced her to couture. The 5'1" Carven focused her line on petite women, "because [she] was too short to wear the creations of the top couturiers, who only ever showed their designs on towering girls."  Carven soon became known as "the smallest of big couturiers." The signature piece from her first collection was a full skirted, green and white striped summer dress. Green and white stripes became the signature of the House of Carven. The material had been found in the attic of a chateau and was likely originally purchased for the summer uniforms of housemaids prior to World War I. Her early clients included Leslie Caron, Martine Carol, Zizi Jeanmaire, and Édith Piaf.  Carven was an inventive marketer. In 1946, she publicized the launch of her first perfume by parachuting hundreds of sample bottles across Paris. In 1950, Carven created a collection inspired by Gone with the Wind to coincide with the film's French release. She toured France with the collection, staging fashion shows at movie theaters.  In 1950, she became one of the first couturiers to develop prêt-à-porter. Her preference for simple materials such as pink gingham and broderie anglaise eased her transition to ready-to-wear.  In 1955, she launched Carven Junior.  Carven was one of the first fashion houses to stage runway shows around the world. The designer's travel inspired her to use diverse materials such as madras, batik, and raffia in her collections. In the 1950s, Carven was one of the first Western designers to use African textiles.  Carven designed uniforms for the 1976 French Olympic team, Parisian traffic wardens, Eurostar staff, and over 20 airlines. ...  Source: Article "Marie-Louise Carven" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Costume Design:
1949  Rendezvous in July
1955  Diabolique

Costume Designer:
1949  Manon
1949  Rendezvous in July
1955  Diabolique

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.