A work in constant progress (and occasional regress).
Alias:
Vladek Zankovskyi
Владек Занковскі
Birthplace:
Almaty, Kasachstan
Born:
January 7, 1978
Born in 1978, director, producer, screenwriter. Studied at the Heriot-Watt University (Edinburgh, Scotland). Zankovsky was working at the Hermes Datacomms when he launched an experimental studio with two of his friends. By 2004, the studio became a leading one in Central Asia, making agreements for ads and movies production for Leo Burnett, Saatchi & Saatchi, Procter & Gamble, Philip Morris and other big companies. In 2011, Vladek succeeded with a Kickstarter campaign for his 1st feature "The Zohar Secret". In 2015 this film was successfully completed.
Director:
2016 Once Upon a Time in Odessa
2017 The Illusion of Control: The Beginning
2017 The Zohar Secret
2018 The Mammoth Effect
2021 The Illusion of Control
2022 Neuro
Director of Photography:
2016 Once Upon a Time in Odessa
2017 The Illusion of Control: The Beginning
2017 The Zohar Secret
2018 The Mammoth Effect
2021 The Illusion of Control
2022 Neuro
Editor:
2016 Once Upon a Time in Odessa
2017 The Illusion of Control: The Beginning
2017 The Zohar Secret
2018 The Mammoth Effect
2021 The Illusion of Control
2022 Neuro
Producer:
2016 Once Upon a Time in Odessa
2017 The Illusion of Control: The Beginning
2017 The Zohar Secret
2018 The Mammoth Effect
2021 The Illusion of Control
2022 Neuro
Screenplay:
2016 Once Upon a Time in Odessa
2017 The Illusion of Control: The Beginning
2017 The Zohar Secret
2018 The Mammoth Effect
2021 The Illusion of Control
2022 Neuro
Writer:
2016 Once Upon a Time in Odessa
2017 The Illusion of Control: The Beginning
2017 The Zohar Secret
2018 The Mammoth Effect
2021 The Illusion of Control
2022 Neuro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.