Åsa Lucander

Alias:
Asa Lucander

Birthplace:
Finland

Åsa Lucander is a freelance director, illustrator and animator. Originally from Finland, she moved to London in 2001 and joined Aardman in Bristol in 2014, where she is now based. She was first drawn to illustration and from there her passions developed towards moving images. With multi-faceted strengths in storytelling, design and animation she loves exploring various creative styles, be it in 2d, stop motion or CGI. Åsa has a passion for hand rendered drawings and explores many different textures and mediums in all areas of her work. She loves mixing humour with melancholy and thrills in bringing characters of every shape and form to life with compelling scripts and inventive visions. She nimbly blends music, authentic dialogue, film segments, hand drawn characters and dolls in innovative ways.  Åsa has directed multiple shorts, including her award-winning film Lost Property, as well as many heart-warming commercial films for clients including Alzheimer’s Research UK, Project Everyone and Childline, and a VR documentary film for BBC. Most recently she directed the music video for Coldplay’s track Daddy.

Additional information:

The Search Form


Animation:
2014  Lost Property

Art Designer:
2014  Lost Property
2016  Santa Forgot

Background Designer:
2014  Lost Property
2016  Santa Forgot

Character Designer:
2014  Lost Property
2016  Santa Forgot
2021  Missy’s Tale

Director:
2014  Lost Property
2016  Santa Forgot
2021  Missy’s Tale
2023  There's a Big Bad Wolf

Production Design:
2014  Lost Property
2016  Santa Forgot
2021  Missy’s Tale
2023  There's a Big Bad Wolf

Writer:
2014  Lost Property
2016  Santa Forgot
2021  Missy’s Tale
2023  There's a Big Bad Wolf

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.