A work in constant progress (and occasional regress).
Birthplace:
USA
Mary Jo Markey is an American television and film editor. Markey has been elected to membership in the American Cinema Editors society. She is a frequent collaborator with J. J. Abrams. Markey has edited several mainstream films, including The Perks of Being a Wallflower and Mission: Impossible III. She has also worked as an editor on several television shows, such as three episodes of Felicity, Breaking News, Skin, and fourteen episodes of Alias, and was also chief editor on Lost. She worked with Abrams on three of his television shows (Felicity, Alias, and Lost) and on almost all of his feature films as director with Maryann Brandon, with Star Wars: The Rise of Skywalker being the lone exception. Markey worked with Abrams on Star Wars: The Force Awakens, which was released in December 2015. Along with her co-editor Brandon, she received an Academy Award nomination for Best Film Editing for her work on the film. In her role editing Abrams' Star Trek, she reported she did not realise that he intended to make extensive use of lens flares and bright lighting and contacted the film developers asking why the film seemed overexposed. Description above from the Wikipedia article Mary Jo Markey, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Editor:
1991 Bingo
1992 The Witches of Eastwick
1994 The Birds II: Land's End
1995 Born to Be Wild
1995 Grumpier Old Men
1997 A Thousand Acres
2000 The Miracle Worker
2001 Child Star: The Shirley Temple Story
2001 The Flying Dutchman
2006 Mission: Impossible III
2007 The Jane Austen Book Club
2009 Star Trek
2010 Gulliver's Travels
2010 How to Train Your Dragon
2011 Kung Fu Panda 2
2011 Super 8
2013 Star Trek Into Darkness
2014 Endless Love
2015 Star Wars: The Force Awakens
2016 Passengers
2018 The Darkest Minds
2018 Venom
2019 Star Wars: The Rise of Skywalker
2021 Venom: Let There Be Carnage
2025 Clika
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.