A work in constant progress (and occasional regress).
Alias:
رضا نریمی زاده
Birthplace:
Abadan, Iran
Born:
August 6, 1964
Reza Narimizadeh was born on Aug 1964 in Iran. He is most well-known for his work as Sound Editor for the Academy Award-winning film "A Separation" (2012) and "The Salesman" (2016). He also did the sound editing for prolific, award-winning director Abbas Kiarostami's films Like Someone in Love and Shirin. Reza has been sound designer/editor in over thirty award-winning feature films.
Executive Producer:
2020 The Painted
Post Production Supervisor:
2018 Everybody Knows
2020 The Painted
Sound Designer:
2006 The Last Queen of the Earth
2018 Everybody Knows
2020 The Painted
Sound Editor:
1999 The Color of Paradise
2006 The Last Queen of the Earth
2009 About Elly
2009 Whisper with the Wind
2011 A Separation
2011 Wind and Fog
2012 Like Someone in Love
2012 The Bear
2016 The Salesman
2018 Everybody Knows
2020 The Painted
Sound Recordist:
1999 The Color of Paradise
2006 The Last Queen of the Earth
2009 About Elly
2009 Shirin
2009 Whisper with the Wind
2011 A Separation
2011 Wind and Fog
2012 Like Someone in Love
2012 The Bear
2016 The Salesman
2018 Everybody Knows
2020 The Painted
Supervising Sound Editor:
1999 The Color of Paradise
2006 The Last Queen of the Earth
2009 About Elly
2009 Doomsday Machine
2009 Shirin
2009 Whisper with the Wind
2011 A Separation
2011 Wind and Fog
2012 Like Someone in Love
2012 The Bear
2016 The Salesman
2018 Everybody Knows
2020 The Painted
Thanks:
1999 The Color of Paradise
2006 The Last Queen of the Earth
2009 About Elly
2009 Doomsday Machine
2009 Shirin
2009 Whisper with the Wind
2011 A Separation
2011 Wind and Fog
2012 Like Someone in Love
2012 The Bear
2016 The Salesman
2018 24 Frames
2018 Everybody Knows
2020 The Painted
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.