A work in constant progress (and occasional regress).
Alias:
Roland von Bartrop
Rowland Barthrop
Rowland Bartrop
Rowland Thomas Greenwood-Bacon
Birthplace:
Walthamstow, London, England, UK
Born:
December 21, 1925
Died:
February 13, 1969
His father worked for Scotland Yard's Special Branch, but young Rowland decided to pursue a career in acting. Born in Walthamstow on 21 December 1925, Rowland Thomas Bartrop joined the London Stage Academy in 1943 and was initially promoted for juvenile parts. During the war he toured with NAAFI and ENSA in French Without Tears playing support to Rex Harrison and Anna Neagle. He did a good deal of theatre work in both London and the provinces, and performed in Shakespeare on records, notably Coriolanus starring Richard Burton. In the 1950s Bartrop moved to television and it was on the series Sword of Freedom (1957) that he became a good friend of Edmund Purdom. The two actors decided to further their careers in Europe, mainly in costume movies. Bartrop's memorable roles were Horatio Nelson in The Battle of Austerlitz (1960) and friend-of-the-hero to Steve Reeves in The Son of Spartacus (1962). In Europe, Bartrop (who spoke several languages) shortened his first name to "Roland." However, when he played a German officer in two Italian films it was the idea of the producer, as a little joke, to bill him in the credits as "Roland von Bartrop." Bartrop's death went largely unreported, but his family believe that his early death at 43 was due to a suspected heart attack, surprisingly since he kept himself extremely fit for action roles. At the time of his death the actor was living in Switzerland. His widow, actress Colette Bartrop, had appeared with him in Faces in the Dark (1960). - IMDb Mini Biography By: Jim Marshall
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.