A work in constant progress (and occasional regress).
Camera Operator:
1981 Réserve
Director:
1976 Allée des signes
1980 Au lieu
1981 Réserve
1982 Deux temps, trois mouvements
1987 Conversio At Fantasmata
1988 No Hans Land
1993 Dédale
2017 Nivose
2019 Ne dominez pas vos passions
???? Jeu et serieux
???? ROSA ROT
???? Un instant de vérité
???? Vanitas
Editor:
1976 Allée des signes
1979 La pierre, l'eau
1980 Au lieu
1981 Réserve
1982 Deux temps, trois mouvements
1982 Movie
1983 Copacabana Beach
1984 Allers-Venues
1987 Conversio At Fantasmata
1988 No Hans Land
1993 Dédale
2009 Between Two Worlds
2014 Above the Clouds
2017 Nivose
2018 The Scientist, The Imposter and Stalin: How to Feed the People
2019 Ne dominez pas vos passions
???? Jeu et serieux
???? ROSA ROT
???? Un instant de vérité
???? Vanitas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.