A work in constant progress (and occasional regress).
Alias:
Greg Irwin
Gregory M. Irwin
Birthplace:
Long Beach, California, USA
Born:
September 21, 1961
Greg Irwin is a veteran first assistant cameraman who specialises in feature film production based in Hollywood, California. His experience spans over 40 years with numerous major studio, feature-length motion pictures that are recognised worldwide. He is a member of the International Cinematographers Guild and the Society of Camera Operators. In 1989, Greg founded and still leads Latitude 33 Motion Picture Services, LLC, which provides motion picture camera technology and related services to the motion picture industry. Clients include Universal Pictures, Warner Bros., Paramount Pictures, Disney, DreamWorks, HBO, CBS, Sony, as well as Panavision, Otto Nemenz, INT, and Keslow Camera. In 2016, The Society of Camera Operators honoured Greg with their Lifetime Achievement Award for extraordinary service as a camera technician. Greg is happily married to his beloved wife, Rosie, and has two beautiful daughters, an incredible son-in-law, and three wonderful grandchildren.
Additional First Assistant Camera:
1995 Showgirls
Cinematography:
1990 Terrorgram
1995 Showgirls
First Assistant "A" Camera:
1990 Terrorgram
1995 Showgirls
1999 Deep Blue Sea
2007 Mr. Brooks
2013 Pain & Gain
2013 Snitch
2014 Interstellar
2016 Star Trek Beyond
2018 The House with a Clock in Its Walls
2019 Godzilla: King of the Monsters
2019 Joker
2022 Lyle, Lyle, Crocodile
2024 Joker: Folie à Deux
2025 Thunderbolts*
First Assistant "B" Camera:
1990 Terrorgram
1995 Showgirls
1999 Deep Blue Sea
2007 Mr. Brooks
2009 The Hangover
2010 Dinner for Schmucks
2011 The Hangover Part II
2013 Pain & Gain
2013 Snitch
2014 Interstellar
2016 Star Trek Beyond
2018 The House with a Clock in Its Walls
2019 Godzilla: King of the Monsters
2019 Joker
2022 Lyle, Lyle, Crocodile
2024 Joker: Folie à Deux
2025 Thunderbolts*
First Assistant "D" Camera:
1990 Terrorgram
1995 Showgirls
1999 Deep Blue Sea
2002 Windtalkers
2007 Mr. Brooks
2009 The Hangover
2010 Dinner for Schmucks
2011 The Hangover Part II
2013 Pain & Gain
2013 Snitch
2014 Interstellar
2016 Star Trek Beyond
2018 The House with a Clock in Its Walls
2019 Godzilla: King of the Monsters
2019 Joker
2022 Lyle, Lyle, Crocodile
2024 Joker: Folie à Deux
2025 Thunderbolts*
First Assistant Camera:
1989 I, Madman
1990 Terrorgram
1991 House Party 2
1991 New Jack City
1995 Showgirls
1996 The Truth About Cats & Dogs
1997 Starship Troopers
1999 Deep Blue Sea
2000 Hollow Man
2002 The Country Bears
2002 Windtalkers
2007 Mr. Brooks
2009 The Hangover
2010 Dinner for Schmucks
2011 The Hangover Part II
2013 American Hustle
2013 Pain & Gain
2013 Snitch
2014 Interstellar
2015 Steve Jobs
2015 Terminator Genisys
2016 Star Trek Beyond
2018 The House with a Clock in Its Walls
2019 Godzilla: King of the Monsters
2019 Joker
2022 Lyle, Lyle, Crocodile
2024 Joker: Folie à Deux
2025 Thunderbolts*
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.