A work in constant progress (and occasional regress).
Birthplace:
Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
Born:
July 13, 1880
Died:
October 27, 1934
German novelist and screenwriter.
Director:
1920 Der Sprung ins Dunkle
1924 Mutter und Sohn
1927 Heaven on Earth
Novel:
1918 Ferdinand Lassalle
1920 Der Sprung ins Dunkle
1924 Mutter und Sohn
1925 Der Trödler von Amsterdam
1927 Heaven on Earth
1928 Die Frau von gestern und morgen
1932 Impossible Love
1935 Lucrezia Borgia
1947 Lucrecia Borgia
1948 Idol of Paris
1953 Lucrèce Borgia
Screenplay:
1918 Ferdinand Lassalle
1920 Der Sprung ins Dunkle
1924 Mutter und Sohn
1925 Der Trödler von Amsterdam
1926 The Flight in the Night
1927 Heaven on Earth
1928 Adam und Eva
1928 Die Frau von gestern und morgen
1928 Herkules Maier
1929 Autobus Nr. 2
1929 Der Mitternachtswalzer
1931 Cadets
1932 An Auto and No Money
1932 Impossible Love
1935 Lucrezia Borgia
1947 Lucrecia Borgia
1948 Idol of Paris
1953 Lucrèce Borgia
Script:
1918 Ferdinand Lassalle
1919 Der Tod von Phaleria
1920 Der Sprung ins Dunkle
1924 Mutter und Sohn
1925 Der Trödler von Amsterdam
1926 The Flight in the Night
1927 Heaven on Earth
1928 Adam und Eva
1928 Die Frau von gestern und morgen
1928 Herkules Maier
1929 Autobus Nr. 2
1929 Der Mitternachtswalzer
1931 Cadets
1932 An Auto and No Money
1932 Impossible Love
1935 Lucrezia Borgia
1947 Lucrecia Borgia
1948 Idol of Paris
1953 Lucrèce Borgia
Story:
1918 Ferdinand Lassalle
1919 Der Tod von Phaleria
1920 Der Sprung ins Dunkle
1924 Mutter und Sohn
1925 Der Trödler von Amsterdam
1926 The Flight in the Night
1927 Heaven on Earth
1928 Adam und Eva
1928 Die Frau von gestern und morgen
1928 Herkules Maier
1929 Autobus Nr. 2
1929 Careers
1929 Der Mitternachtswalzer
1931 Cadets
1932 An Auto and No Money
1932 Impossible Love
1935 Lucrezia Borgia
1947 Lucrecia Borgia
1948 Idol of Paris
1953 Lucrèce Borgia
Writer:
1918 Ferdinand Lassalle
1919 Am Weibe zerschellt
1919 Der Tod von Phaleria
1920 Der Sprung ins Dunkle
1920 Der Totenkopf, 50 000 Mark-Prämienfilm
1921 Camera obscura
1921 Frauenbeichte, 1. Teil - Die Beichte einer Ausgestossenen
1921 Frauenbeichte. 2. Die Beichte der Mörderin
1922 Der Favorit der Königin
1922 Die Erlebnisse einer Kammerzofe
1922 Frauenbeichte, 3. Teil - Die Beichte der Krankenschwester
1924 Mutter und Sohn
1925 Der Hahn im Korb
1925 Der Trödler von Amsterdam
1925 Die Frau für 24 Stunden
1926 Cab No. 13
1926 The Flight in the Night
1927 Arme kleine Colombine
1927 Das Mädchen ohne Heimat
1927 Heaven on Earth
1927 Primanerliebe
1927 The Orlov
1928 Adam und Eva
1928 Die Frau von gestern und morgen
1928 Herkules Maier
1929 Autobus Nr. 2
1929 Careers
1929 Der Mitternachtswalzer
1929 Fräulein Fähnrich
1929 The Runaway Princess
1930 Boycott
1930 Marriage in Name Only
1930 The experience of a night
1930 Two Souls
1931 Cadets
1931 Elisabeth of Austria
1932 An Auto and No Money
1932 Impossible Love
1935 Lucrezia Borgia
1947 Lucrecia Borgia
1948 Idol of Paris
1953 Lucrèce Borgia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.