A work in constant progress (and occasional regress).
Alias:
Masayoshi Onuma
大沼正喜
Gaffer:
1940 Hikari to kage (Kōhen)
1940 Hikari to kage (Zenpen)
1940 The Monkey King
Lighting Director:
1940 Hikari to kage (Kōhen)
1940 Hikari to kage (Zenpen)
1940 The Monkey King
1953 White Fish
Lighting Technician:
1940 Hikari to kage (Kōhen)
1940 Hikari to kage (Zenpen)
1940 The Monkey King
1941 Horse
1942 The War at Sea from Hawaii to Malaya
1943 Sanshiro Sugata
1944 Nichijô no tatakai
1947 Once More
1948 365 Nights
1949 Ginza Cancan Girls
1951 Ginza Cosmetics
1951 Tsuki yori no haha
1952 Shimizu no Jirocho den
1952 Tokyo Sweetheart
1953 Sunflower Girl
1953 The Eagle of the Pacific
1953 White Fish
1955 Diary of the First Incredible Laughing Trip
1955 Godzilla Raids Again
1955 The First Kiss
1955 Utae! Seishun Harikiri Musume
1959 Gigantis, the Fire Monster
1959 The Adventures of Sun Wu Kung
1960 Maboroshi Tantei: Chiteijin Shūrai
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.