A work in constant progress (and occasional regress).
"C" Camera Operator:
2022 Rosaline
Assistant Camera:
1987 Firefighters 2: Heroic Mission
1990 Fantozzi to the Rescue
1990 The Comics
1991 The Comics 2
1992 Ciao, Professore!
1993 Fantozzi in Heaven
2022 Rosaline
Camera Operator:
1987 Firefighters 2: Heroic Mission
1990 Fantozzi to the Rescue
1990 The Comics
1991 The Comics 2
1992 Ciao, Professore!
1993 Fantozzi in Heaven
1996 Italiani
1996 Un inverno freddo freddo
1998 The Last New Year's Eve
1998 The Scent of the Night
2000 I Love Andrea
2006 The Roses of the Desert
2009 Me & Marilyn
2015 Partly Cloudy with Sunny Spells
2016 What’s the Big Deal
2022 Rosaline
First Assistant Camera:
1986 Stregati
1987 Firefighters 2: Heroic Mission
1988 Rimini, Rimini: A Year Later
1988 The Big Fox
1990 Fantozzi to the Rescue
1990 The Comics
1991 The Comics 2
1992 Ciao, Professore!
1992 Infelici e contenti
1993 Fantozzi in Heaven
1994 OcchioPinocchio
1996 Italiani
1996 Un inverno freddo freddo
1998 The Last New Year's Eve
1998 The Scent of the Night
2000 I Love Andrea
2006 The Roses of the Desert
2009 Me & Marilyn
2015 Partly Cloudy with Sunny Spells
2016 What’s the Big Deal
2022 Rosaline
Steadicam Operator:
1986 Stregati
1987 Firefighters 2: Heroic Mission
1988 Rimini, Rimini: A Year Later
1988 The Big Fox
1990 Fantozzi to the Rescue
1990 The Comics
1991 The Comics 2
1992 Ciao, Professore!
1992 Infelici e contenti
1993 Fantozzi in Heaven
1994 OcchioPinocchio
1996 Italiani
1996 Un inverno freddo freddo
1998 The Last New Year's Eve
1998 The Scent of the Night
2000 I Love Andrea
2001 South Kensington
2006 The Roses of the Desert
2009 Me & Marilyn
2015 Partly Cloudy with Sunny Spells
2016 What’s the Big Deal
2022 Rosaline
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.