A work in constant progress (and occasional regress).
Experimental filmmaker, video artist and independant curator, Guillaume Vallée graduated from Concordia University with a Major in Film Animation and MFA in Studio Arts – Film Production option. He’s interested in alternative forms of moving images in analogue forms as a way of considering the direct interaction between different mediums. His work is an exploration of materiality within the creative process. In attempts of creating a more complex relationship with his subject matter, Vallée makes use of cross-medium forms that range from camera-less techniques to optical effects, glitch, video feedback, resulting in expended & hybrid pieces. He works mainly on Super8, 16mm and VHS.
Director:
2008 Les 120 jours de Sodome
2010 Différentes apparitions du spectre archéologique
2010 Le muscle à cinq pattes
2010 Untitled
2012 The Yellow Ghost
2013 Analog Hellraiser
2013 The Soft Giraffe
2014 Antiprism
2014 Tears of Eros
2014 Trikarenos
2015 Run, Run Shaw (邵逸夫)
2016 Le bulbe tragique
2017 Kinski Wanted Herzog to Direct But He Turned it Down
2017 Self Talk With Nothingness
2017 What is Beyond the Hellraiser?
2018 Il fait gris dans ta tête, tout à coup
2018 The Sphere
2019 The Last Day of the Luna Moth
2020 Pas d'apparat corps
2020 grand-maman Piano
2021 Monsieur Jean-Claude
2021 The Turning Centre of a Still World
2021 are you haunted, daddy ? (about anxiety)
2022 ULTRADREAM
2022 elles s’élèvent, ces forteresses éponges
2023 The illegible time scribbled the continuation of things
???? Gates of Heaven
???? Le Mirage des Mains Ultra Réalistes
Director of Photography:
2008 Les 120 jours de Sodome
2010 Différentes apparitions du spectre archéologique
2010 Le muscle à cinq pattes
2010 Untitled
2012 The Yellow Ghost
2013 Analog Hellraiser
2013 The Soft Giraffe
2014 Antiprism
2014 Tears of Eros
2014 Trikarenos
2015 Run, Run Shaw (邵逸夫)
2016 Le bulbe tragique
2017 Kinski Wanted Herzog to Direct But He Turned it Down
2017 Self Talk With Nothingness
2017 What is Beyond the Hellraiser?
2018 Il fait gris dans ta tête, tout à coup
2018 The Sphere
2019 The Last Day of the Luna Moth
2020 Le silence a disparu
2020 Pas d'apparat corps
2020 grand-maman Piano
2021 Monsieur Jean-Claude
2021 The Turning Centre of a Still World
2021 are you haunted, daddy ? (about anxiety)
2022 ULTRADREAM
2022 elles s’élèvent, ces forteresses éponges
2023 The illegible time scribbled the continuation of things
???? Gates of Heaven
???? Le Mirage des Mains Ultra Réalistes
Writer:
2008 Les 120 jours de Sodome
2010 Différentes apparitions du spectre archéologique
2010 Le muscle à cinq pattes
2010 Untitled
2012 The Yellow Ghost
2013 Analog Hellraiser
2013 The Soft Giraffe
2014 Antiprism
2014 Tears of Eros
2014 Trikarenos
2015 Run, Run Shaw (邵逸夫)
2016 Le bulbe tragique
2017 Kinski Wanted Herzog to Direct But He Turned it Down
2017 Self Talk With Nothingness
2017 What is Beyond the Hellraiser?
2018 Il fait gris dans ta tête, tout à coup
2018 The Sphere
2019 The Last Day of the Luna Moth
2020 Le silence a disparu
2020 Pas d'apparat corps
2020 grand-maman Piano
2021 Monsieur Jean-Claude
2021 The Turning Centre of a Still World
2021 are you haunted, daddy ? (about anxiety)
2022 ULTRADREAM
2022 elles s’élèvent, ces forteresses éponges
2023 The illegible time scribbled the continuation of things
???? Gates of Heaven
???? Le Mirage des Mains Ultra Réalistes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.