Guillaume Vallée

Experimental filmmaker, video artist and independant curator, Guillaume Vallée graduated from Concordia University with a Major in Film Animation and MFA in Studio Arts – Film Production option. He’s interested in alternative forms of moving images in analogue forms as a way of considering the direct interaction between different mediums. His work is an exploration of materiality within the creative process. In attempts of creating a more complex relationship with his subject matter, Vallée makes use of cross-medium forms that range from camera-less techniques to optical effects, glitch, video feedback, resulting in expended & hybrid pieces. He works mainly on Super8, 16mm and VHS.

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Director:
2008  Les 120 jours de Sodome
2010  Différentes apparitions du spectre archéologique
2010  Le muscle à cinq pattes
2010  Untitled
2012  The Yellow Ghost
2013  Analog Hellraiser
2013  The Soft Giraffe
2014  Antiprism
2014  Tears of Eros
2014  Trikarenos
2015  Run, Run Shaw (邵逸夫)
2016  Le bulbe tragique
2017  Kinski Wanted Herzog to Direct But He Turned it Down
2017  Self Talk With Nothingness
2017  What is Beyond the Hellraiser?
2018  Il fait gris dans ta tête, tout à coup
2018  The Sphere
2019  The Last Day of the Luna Moth
2020  Pas d'apparat corps
2020  grand-maman Piano
2021  Monsieur Jean-Claude
2021  The Turning Centre of a Still World
2021  are you haunted, daddy ? (about anxiety)
2022  ULTRADREAM
2022  elles s’élèvent, ces forteresses éponges
2023  The illegible time scribbled the continuation of things
????  Gates of Heaven
????  Le Mirage des Mains Ultra Réalistes

Director of Photography:
2008  Les 120 jours de Sodome
2010  Différentes apparitions du spectre archéologique
2010  Le muscle à cinq pattes
2010  Untitled
2012  The Yellow Ghost
2013  Analog Hellraiser
2013  The Soft Giraffe
2014  Antiprism
2014  Tears of Eros
2014  Trikarenos
2015  Run, Run Shaw (邵逸夫)
2016  Le bulbe tragique
2017  Kinski Wanted Herzog to Direct But He Turned it Down
2017  Self Talk With Nothingness
2017  What is Beyond the Hellraiser?
2018  Il fait gris dans ta tête, tout à coup
2018  The Sphere
2019  The Last Day of the Luna Moth
2020  Le silence a disparu
2020  Pas d'apparat corps
2020  grand-maman Piano
2021  Monsieur Jean-Claude
2021  The Turning Centre of a Still World
2021  are you haunted, daddy ? (about anxiety)
2022  ULTRADREAM
2022  elles s’élèvent, ces forteresses éponges
2023  The illegible time scribbled the continuation of things
????  Gates of Heaven
????  Le Mirage des Mains Ultra Réalistes

Writer:
2008  Les 120 jours de Sodome
2010  Différentes apparitions du spectre archéologique
2010  Le muscle à cinq pattes
2010  Untitled
2012  The Yellow Ghost
2013  Analog Hellraiser
2013  The Soft Giraffe
2014  Antiprism
2014  Tears of Eros
2014  Trikarenos
2015  Run, Run Shaw (邵逸夫)
2016  Le bulbe tragique
2017  Kinski Wanted Herzog to Direct But He Turned it Down
2017  Self Talk With Nothingness
2017  What is Beyond the Hellraiser?
2018  Il fait gris dans ta tête, tout à coup
2018  The Sphere
2019  The Last Day of the Luna Moth
2020  Le silence a disparu
2020  Pas d'apparat corps
2020  grand-maman Piano
2021  Monsieur Jean-Claude
2021  The Turning Centre of a Still World
2021  are you haunted, daddy ? (about anxiety)
2022  ULTRADREAM
2022  elles s’élèvent, ces forteresses éponges
2023  The illegible time scribbled the continuation of things
????  Gates of Heaven
????  Le Mirage des Mains Ultra Réalistes

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.