A work in constant progress (and occasional regress).
Birthplace:
Osaka Prefecture, Japan
Kaori Oda (小田香 Oda Kaori, born 1987) is a Japanese film director. She has mainly worked in the field of documentary, where she tries to explore the memories of human beings through image and sound.
Camera Operator:
2010 Thus a Noise Speaks
2023 Ryuichi Sakamoto: Opus
Cinematography:
2010 Thus a Noise Speaks
2014 Conniving
2015 FLASH
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2022 Karaoke Cafe BOSA
2023 Ryuichi Sakamoto: Opus
Director:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Director of Photography:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Editor:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Producer:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Sound:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Sound Editor:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Sound Mixer:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Writer:
2010 Thus a Noise Speaks
2012 The Thread of Red Cocoons
2014 Conniving
2014 Lost in Bosnia
2015 Aragane
2015 FLASH
2017 TEN
2017 Theory of Colours: prologue
2017 Toward a Common Tenderness
2018 Church of the Wind
2018 TUNE
2019 Cenote
2019 Night Cruise
2021 Night Train
2021 colere-ON: Sep 27 - Oct 5
2022 Homo Mobilitas
2022 Karaoke Cafe BOSA
2022 Would You Like to Go to the Cinema Today?
2023 GAMA
2023 Ryuichi Sakamoto: Opus
2024 Black Red Ultramarine White Lemon
2024 By the Sea
2024 FUKUSHIMA with Béla Tarr
2024 Kandachime
2024 Lighthouse
2025 Recording with Mother "Working Hands"
2025 Underground
Cinematography:
2021 My Love: Six Stories of True Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.