A work in constant progress (and occasional regress).
Alias:
Tym Baucharern
Shutchai 'Tym' Buacharern
Tim Buacharern
Tym Buacharem
Tym Buacharern
Tym Shutchai Buacharen
Tym Shutchai Buacharern
Two-time Emmy Award winner and Architect of Beauty Awards winner, Tym Buacharern is one of today's premiere make-up artists. In all facets of media, print, film, and television, he has a reputation for his clean make-up beauty technique with luxe and natural skin. His motto is "It doesn't matter how much make-up you put on a person; you should never lose that person in their transformation." Tym's big break came when he got a call from Janet Jackson to join her on The Velvet Rope Tour. He became Janet's go-to artist for over 10 years on multiple tours, personal appearances, music videos, and film. He also caught the attention of music giants like Tina Turner, Cher, and Pink. In the years that followed, thanks to his eye for detail and innovative fashion sense, other celebrities like Lupita Nyong'o, Danai Gurira, Shahadi Joseph Wright, and Gabrielle Union have turned to Tym as their top choice of artist. Recognising his talents, producers and directors on shows such as The Harder They Fall, NOPE, Dreamgirls, Secret Life of Bees, Miles Ahead, One Tree Hill, US, Hit the Floor, and House of Lies have relied on Tym to bring the highest level of quality to their productions. Tym has also been sought after by well-respected Make-up Department Heads to help realise their visions on notable projects like Black Panther, Captain Marvel, The Prom, the Assassination of Gianni Versace: American Crime Story (Emmy Award Winner), and Feud: Bette and Joan (Emmy Award Winner). Though Tym has reached such heights in the realm of make-up artistry, he continues to study professionally to sharpen his skills, thereby ensuring that he will remain at the top of his craft.
Key Makeup Artist:
1996 Femalien
1998 Lolida 2000
2013 After Earth
Makeup Artist:
1996 Femalien
1997 Merry Christmas, George Bailey!
1998 Lolida 2000
2006 Idlewild
2007 Democrazy
2010 Death at a Funeral
2013 After Earth
2018 Black Panther
2019 Us
2022 The 355
2024 Unfrosted
2025 Captain America: Brave New World
Makeup Department Head:
1996 Femalien
1997 Merry Christmas, George Bailey!
1998 Lolida 2000
2006 Dreamgirls
2006 Idlewild
2007 Democrazy
2008 The Secret Life of Bees
2010 Death at a Funeral
2013 After Earth
2018 Black Panther
2019 Us
2021 The Harder They Fall
2022 Nope
2022 The 355
2024 Unfrosted
2025 Captain America: Brave New World
Makeup Designer:
1996 Femalien
1997 Merry Christmas, George Bailey!
1998 Lolida 2000
2006 Dreamgirls
2006 Idlewild
2007 Democrazy
2008 The Secret Life of Bees
2010 Death at a Funeral
2013 After Earth
2018 Black Panther
2019 Us
2021 The Harder They Fall
2022 Nope
2022 The 355
2024 Unfrosted
2025 Captain America: Brave New World
Key Makeup Artist:
2003 One Tree Hill
Makeup Department Head:
2003 One Tree Hill
2007 Californication
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.