Sabina Vajrača

Alias:
Sabina Vajraca

Born in Bosnia and Herzegovina, Sabina Vajraca immigrated to the U.S. as a war refugee in 1994. A natural storyteller, she started working in theatre as a teenager, eventually getting her B.F.A. in Theatre Directing and Stage Management. After graduation she worked in NYC, focusing on devised theatre and movement/experimental approach to Shakespeare and other Classics.  Her first film, the critically-acclaimed feature documentary "Back to Bosnia," premiered at the 2005 AFI Fest and screened at over 30 festivals worldwide, winning Director's Choice at the Crossroads Film Festival. Since then, she wrote, directed, and produced numerous narrative shorts, commercials for ESPN and IFP, a music video for Nouvelle Vague's "Bela Lugosi's Dead," and wrote a number of award-winning feature and short screenplays.  Sabina is the Annenberg Scholar, a Student BAFTA and Oscars nominee, a member of Film Fatales, Women in Film, WIMPS, and Lincoln Center's Directors Lab, and an alumna of the Ryan Murphy Half Directing Mentorship, the Nantucket Screenwriters Colony, and the Stowe Story Labs, where she won the Tangerine Fellowship. She holds an M.F.A. in Film and TV Production from the USC School of Cinematic Arts.

Additional information:

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Assistant Director:
2019  Spoiled Milk

Costume Design:
2018  Lost Children: Kate & Bill
2019  Spoiled Milk

Director:
2005  Back to Bosnia
2009  Apparition
2009  Emina
2011  Smoking Kills
2018  Lost Children: Kate & Bill
2019  Callback
2019  Spoiled Milk
2019  Variables
2021  Voodoo Macbeth
2023  Sevap/Mitzvah

Editor:
2005  Back to Bosnia
2009  Apparition
2009  Emina
2011  Smoking Kills
2018  Lost Children: Kate & Bill
2019  Callback
2019  Spoiled Milk
2019  Variables
2021  Voodoo Macbeth
2023  Sevap/Mitzvah

Producer:
2005  Back to Bosnia
2009  Apparition
2009  Emina
2011  Smoking Kills
2018  Lost Children: Kate & Bill
2019  Callback
2019  Spoiled Milk
2019  Variables
2021  Voodoo Macbeth
2023  Sevap/Mitzvah

Screenplay:
2005  Back to Bosnia
2009  Apparition
2009  Emina
2011  Smoking Kills
2018  Lost Children: Kate & Bill
2019  Callback
2019  Spoiled Milk
2019  Variables
2021  Voodoo Macbeth
2023  Sevap/Mitzvah

Writer:
2005  Back to Bosnia
2009  Apparition
2009  Emina
2011  Smoking Kills
2018  Lost Children: Kate & Bill
2019  Callback
2019  Spoiled Milk
2019  Variables
2021  Voodoo Macbeth
2023  Love You Forever
2023  Sevap/Mitzvah

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.