A work in constant progress (and occasional regress).
Born:
March 9, 1925
Died:
December 28, 1998
Ed van der Elsken (1925-1990) - the enfant terrible of Dutch photography - was a talented photographer and filmmaker who expressed his meetings with people in photos, photo books and films for more than 40 years. Strolling through cities such as Paris, Tokyo, Hong Kong and Amsterdam or travelling through Africa and Japan, he preferably took photographs of striking individuals with character. His first photo book Love on the left bank was published in 1956 and instantly made him world-famous. Some twenty photo books followed. He also made several television films, mostly about subjects regarding his own life. Ed van der Elsken was born in Amsterdam in 1925. He lives and works in Paris from 1950 to 1954. In this period, he lives with Ata Kando and her 3 children. He moves back to Amsterdam and lives there from 1954 to 1971. He travels a lot for his work, for instance to Bagara, Central Africa in 1957, and makes a long world trip in 1959 and 1960 with Gerda van der Veen, his second wife. Shortly after, their children Tinelou and Daan are born. During his many travels, Ed van der Elsken makes reports in colour for the monthly magazine Avenue. From 1971, he lives in the countryside near Edam. In this period, he often travels to Japan and also works in Amsterdam. He is living with Anneke Hilhorst and they have a son named John. In 1988 he is diagnosed with cancer. He dies in 1990.
Cinematography:
1961 Karel Appel, Composer
Director:
1960 Hands
1961 Karel Appel, Composer
1961 Lieverdjes
1962 Dylaby
1963 Welcome to Life, Little Love
1965 De Appel-iep
1965 Fietsen
1967 Hee poppelepee
1967 Het Waterlooplein verdwijnt
1971 Camera in Love
1972 Death in the Port Jackson Hotel
1983 Een fotograaf filmt Amsterdam
1990 Bye
2005 Found footage
Editor:
1960 Hands
1961 Karel Appel, Composer
1961 Lieverdjes
1962 Dylaby
1963 Welcome to Life, Little Love
1965 De Appel-iep
1965 Fietsen
1967 Hee poppelepee
1967 Het Waterlooplein verdwijnt
1971 Camera in Love
1972 Death in the Port Jackson Hotel
1983 Een fotograaf filmt Amsterdam
1990 Bye
2005 Found footage
Still Photographer:
1960 Hands
1961 Karel Appel, Composer
1961 Lieverdjes
1962 Dylaby
1963 Like Two Drops of Water
1963 Welcome to Life, Little Love
1965 De Appel-iep
1965 Fietsen
1967 Hee poppelepee
1967 Het Waterlooplein verdwijnt
1971 Camera in Love
1972 Death in the Port Jackson Hotel
1983 Een fotograaf filmt Amsterdam
1990 Bye
2005 Found footage
Writer:
1960 Hands
1961 Karel Appel, Composer
1961 Lieverdjes
1962 Dylaby
1963 Like Two Drops of Water
1963 Welcome to Life, Little Love
1965 De Appel-iep
1965 Fietsen
1967 Hee poppelepee
1967 Het Waterlooplein verdwijnt
1971 Camera in Love
1972 Death in the Port Jackson Hotel
1983 Een fotograaf filmt Amsterdam
1990 Bye
2005 Found footage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.