A work in constant progress (and occasional regress).
Birthplace:
Thousand Oaks, California, United States
Elizabeth Pan was born and raised in the Los Angeles suburb of Thousand Oaks, California where she grew up learning to speak both English and Mandarin Chinese at the same time. Elizabeth’s auspicious stage career started in the 5th Grade when she played the posterior end of Nana the Dog in Westlake Elementary’s production of “Peter Pan.” It could only go up from there. In her junior year at UCLA, Elizabeth attended a production of Miss Saigon at Los Angeles’ premier theater company, Center Theatre Group and signed up for acting lessons the next day. Elizabeth studied classical theater at the Royal National Theatre in London, the American Conservatory Theater in San Francisco and The Antaeus Company in Los Angeles. A few years later, Elizabeth was back at Center Theater Group but this time as a lead actor in the critically acclaimed production of Jessica Hagedorn’s “Dogeaters” at the Kirk Douglas Theater. She has worked on some of the most prestigious stages in Southern California. The LA Weekly theatre critic said of her performance in Chay Yew’s adaptation of The Cherry Orchard, “I can not remember anything in theatre as heartbreaking…Pan’s eyes are glistening pieces of obsidian and her wounded silence is unbearable.” Elizabeth originated the lead role of Chinadoll in Damon Chua’s “Film Chinois” which won the 2007 Ovation Award for Best New Play. Elizabeth currently works extensively in film, television, stage, commercials and voiceovers. You have seen her in guest star and co-star roles on FOX, NBC, ABC and CBS. Her voice is on various commercials, television shows, films and video games including “Penguins of Madagascar (Dreamworks)”, “ The Regular Show (The Cartoon Network)”, and “Mr. Robot (USA Network)”. Elizabeth can be seen on national commercials including Progressive Insurance, HSBC and Canada Dry. She loves hiking in the mountains around her home in Los Angeles, cooking for other people, especially if vegan food is involved and is plotting world domination through real estate.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.