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Aaron Kenny

Birthplace:
Adelaide, South Australia

Biography from TheMovieDB

Featured by ASCAP as a “Composer to Watch,” Aaron is a Queer Australian composer based in New York City. Composing for Film, television, concert hall, and theater he was awarded Australian Young Composer of the Year, as well winning a Telly Award for Best Music/Jingle for “Etihad." Nominated for Best Song at the Hollywood in Media Awards, he is also the Music Assistant to Oscar-winning composer Alan Menken (“The Little Mermaid,” “Beauty And The Beast,” “Aladdin”). Aaron’s film work has been featured at film festivals around the world, including Cannes, Tribeca, Montreal, Zurich, St Kilda, Austin, and many more. His feature film scores include the Australian psychological thriller “Crushed,” Indigenous documentary “Remaking the Pathway,” as well as a live concert performance of the Buster Keaton classic “Seven Chances." He has also written music for several advertising campaigns, including GUCCI, Samsung, and Honda.

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Film Production

Additional Music:
2023  The Little Mermaid

Music:
2011  50-50
2012  The Shed
2015  A Mighty Nice Man
2015  Crushed
2015  Solo
2016  Blood and Water
2016  Sarah Chong Is Going to Kill Herself
2019  My Daughter Yoshiko
2023  The Beginning of the Monster
2023  The Little Mermaid

Original Music Composer:
2011  50-50
2011  Moth
2012  I Spy
2012  The Shed
2015  A Mighty Nice Man
2015  Crushed
2015  Solo
2016  Blood and Water
2016  Sarah Chong Is Going to Kill Herself
2019  My Daughter Yoshiko
2023  The Beginning of the Monster
2023  The Little Mermaid

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.