Paulo Menezes (b. 1977)

Gallery Unavailable

Birthplace:
Bristol, England, UK

Born:
April 13, 1977

Additional information:

The Search Form


Assistant Camera:
2010  Lisbon-Province
2016  Ainda Não Acabámos: Como Se Fosse Uma Carta

Cinematography:
2010  Lisbon-Province
2016  Ainda Não Acabámos: Como Se Fosse Uma Carta
2023  Blackpot
2023  Nocturne for a Forest

Director:
2010  Lisbon-Province
2014  Comédias do Minho
2014  Comédias do Minho
2014  Xampy
2016  Ainda Não Acabámos: Como Se Fosse Uma Carta
2020  There Will Be No Blood
2023  Blackpot
2023  Nocturne for a Forest

Director of Photography:
2006  Perimeter
2009  Alaska
2009  Para Que Este Mundo Não Acabe!
2010  Lisbon-Province
2010  Who lives in my mind
2011  Crónica Parisiense
2011  Fire
2014  Comédias do Minho
2014  Comédias do Minho
2014  Xampy
2015  Codename: Angola
2015  Maria do Mar
2015  Trials, Exorcisms
2016  Ainda Não Acabámos: Como Se Fosse Uma Carta
2016  Friends after Dark
2017  Dom Fradique
2018  Campo
2018  The Frog and the Girl
2019  Ordinary Time
2019  The Hissing of Summer Sands
2020  There Will Be No Blood
2021  Jack’s Ride
2021  The Metamorphosis of Birds
2022  Immaterial Girl
2023  Blackpot
2023  Nocturne for a Forest
2024  Astrakan 79
2024  Cidade Rabat
2024  UFO’s, Monsters and Utopias: Three Queer Shorts
????  Por Tua Testemunha

Writer:
2006  Perimeter
2009  Alaska
2009  Para Que Este Mundo Não Acabe!
2010  Lisbon-Province
2010  Who lives in my mind
2011  Crónica Parisiense
2011  Fire
2014  Comédias do Minho
2014  Comédias do Minho
2014  Xampy
2015  Codename: Angola
2015  Maria do Mar
2015  Trials, Exorcisms
2016  Ainda Não Acabámos: Como Se Fosse Uma Carta
2016  Friends after Dark
2017  Dom Fradique
2018  Campo
2018  The Frog and the Girl
2019  Ordinary Time
2019  The Hissing of Summer Sands
2020  There Will Be No Blood
2021  Jack’s Ride
2021  The Metamorphosis of Birds
2022  Immaterial Girl
2023  Blackpot
2023  Nocturne for a Forest
2024  Astrakan 79
2024  Cidade Rabat
2024  UFO’s, Monsters and Utopias: Three Queer Shorts
????  Por Tua Testemunha

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.